Edited By Tonia Kazakopoulou and Mikela Fotiou
This collection of new writing on contemporary Greek cinema builds and expands on existing work in the field, providing a coherent analysis of films which, despite their international importance, have so far received limited critical attention. The volume maps key trends in Greek cinema since the 1990s within the wider context of production and consumption at both national and international levels. It offers a wide range of critical analyses of documentary and avant-garde filmmaking, art house and popular cinema, and the work of established and new directors as well as deliberations on teaching methodologies and marketing strategies. The book seeks to highlight the continuities, mutual influences and common contexts that inform, shape and inspire filmmaking in Greece today.
NEW STUDIES IN EUROPEAN CINEMA
With its focus on new critical, theoretical, and cultural developments in contemporary flm studies, this series develops rigorous analytical debate within an innovative, multidisciplinary, and transnational approach to European cinema.
Through a mixture of edited collections and single-authored volumes, the series aims both to re-evaluate established critical thought and to identify and explore new trends and theories that will inform cinema studies over the coming decades. It provides an international forum for lively and controversial debate embracing all aspects of European cinema from a broad range of theoretical perspectives. The New Studies in European Cinema series thus makes a key contribution to a subject whose importance to contemporary culture and identity is fundamental.
Vol. 1 William Hope (ed.) Italian Cinema. New Directions. 2005. ISBN 3-03910-282-6 / US-ISBN 0-8204-7209-3
Vol. 2 Wendy Everett and Axel Goodbody (eds) Revisiting Space. Space and Place in European Cinema. 2005. ISBN 3-03910-264-8 / US-ISBN 0-8204-7193-3
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