Edited By Tonia Kazakopoulou and Mikela Fotiou
This collection of new writing on contemporary Greek cinema builds and expands on existing work in the field, providing a coherent analysis of films which, despite their international importance, have so far received limited critical attention. The volume maps key trends in Greek cinema since the 1990s within the wider context of production and consumption at both national and international levels. It offers a wide range of critical analyses of documentary and avant-garde filmmaking, art house and popular cinema, and the work of established and new directors as well as deliberations on teaching methodologies and marketing strategies. The book seeks to highlight the continuities, mutual influences and common contexts that inform, shape and inspire filmmaking in Greece today.
14 The Ethics of Heterogeneity and Experimentation: Teaching Film Direction in the Film School at the Aristotle University of Thessaloniki (Antoinetta Angelidi with Rea Walldén)
| 369 →
ANTOINETTA ANGELIDI WITH REA WALLDÉN
14 The Ethics of Heterogeneity and Experimentation: Teaching Film Direction in the Film School at the Aristotle University of Thessaloniki
This chapter describes my method of teaching film direction in the Film School of the Faculty of Fine Arts at the Aristotle University of Thessaloniki, explaining both its founding in my filmmaking practice and its theoretical background in the theories of the avant-garde. The chapter proposes an extended concept of heterogeneity and experimentation, as poetics and as ethics.
The First University Film School in Greece
You are not authenticated to view the full text of this chapter or article.
This site requires a subscription or purchase to access the full text of books or journals.
Do you have any questions? Contact us.Or login to access all content.