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The Myth of the Orient

Architecture and Ornament in the Age of Orientalism

Edited By Francine Giese and Ariane Varela Braga

This volume commemorates the 160th anniversary of the Selamlik of Oberhofen Castle near Thun – one of the most significant Swiss Orientalist interiors, designed by the Bernese architect Theodor Zeerleder (1820–1868) – by presenting the latest research on the spectacular smoking room inspired by the luxurious reception halls in Cairo, which Zeerleder discovered during his travels to the East. At the same time, this collection of essays explores the significance of the famous city on the Nile as a privileged model for 19th-century architecture and ornamentation, bringing together papers by Mercedes Volait (Paris), Romain Siegenfuhr (Paris), Richard Parisot (Besançon), Elke Pflugradt-Abdel Aziz (Düsseldorf), Tarek Ibrahim (Berlin), Vincenza Garofalo (Palermo), Andrea Lermer (München), Rémi Labrusse (Paris), Ariane Varela Braga (Zürich), Leïla el-Wakil (Genève), Francine Giese (Zürich) and Annette Loeffel (Bern).

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Bibliographic information published by die Deutsche Nationalbibliothek Die Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data is available on the Internet at ‹http://dnb.d-nb.de›.

British Library Cataloguing-in-Publication Data: A catalogue record for this book is available from The British Library, Great Britain

Library of Congress Cataloging-in-Publication Data: 2016947153

Front cover illustration: Theodor Zeerleder, Hälfte des Thürflügels der Hauptthüre eines Prachtzimmers, Kairo, January-March 1848 (Burgerbibliothek Bern, Gr. B. 1040).

Back cover illustration: Theodor Zeerleder, Oberhofen Castle, Selamlik, Oberhofen, ca. 1854 (Burgerbibliothek Bern, Gr. B. 1199).

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