Oscar Wilde’s Performance Theory
213 Bibliography Advertisement based on Sarony photograph. Oscar Wilde and His Literary Circle. William Andrews Clark Memorial Library, University of California, Los Angeles. ‘Aesthetics v. Athletics.’ 1881. Oscar Wilde and His Literary Circle. William An- drews Clark Memorial Library, University of California, Los Angeles. Wildeana 1.13. Alkalay-Gut, Karen. ‘The Thing He Loves: Murder as Aesthetic Experience in The Ballad of Reading Gaol.’ Victorian Poetry 35, no. 3 (1997): 349–366. Andrews, Alan. ‘Horrible Flesh and Blood.’ Theatre Notebook 36, no. 1 (1982): 34–35. Arendt, Hannah. The Origins of Totalitarianism. New York: Harcourt Brace, 1975. Arnold, Matthew. The Complete Prose Works of Matthew Arnold, vol. 3., edited by R.H. Super. Ann Arbor: University of Michigan Press, 1960–77. Atkinson, Gordon. ‘Oscar Wilde at Oxford.’ Cornhill Magazine 66 (1929): 559–564. Auerbach, Nina. Ellen Terry: Player in Her Time. Philadelphia: University of Penn- sylvania Press, 1987. Auslander, Philip. From Acting to Performance: Essays in Modernism and Postmodernism. New York: Routledge, 1997. Austin, J.L. ‘How to Do Things With Words.’ In Literary Theory: An Anthology, edited by Julie Rivkin and Michael Ryan, 162–176. Malden, MA: Blackwell Publishing, 2004. ‘The Bard of Beauty.’ Time, April 1880. Oscar Wilde and His Literary Circle. William Andrews Clark Memorial Library, University of California, Los Angeles. Bashford, Bruce. ‘Oscar Wilde: His Criticism and His Critics.’ ELT 20 (1977), 412–422. Baudelaire, Charles. The Painter of Modern Life and Other Essays, edited and translated by Jonathan Mayne. London: Phaidon, 1964. 214 Beatty, Laura. Lillie Langtry: Manners, Masks...
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