Expropriations and confiscations, 16 th –20 th Centuries- Expropriations et confiscations, XVI e –XX e siècles
Edited By Luigi Lorenzetti, Michela Barbot and Luca Mocarelli
The papers collected in the present volume suggest that private property is not necessarily the most safeguarded legal model, hence it is not less vulnerable to violation. They construct a close analysis of the most common forms of abuse of private property on record – expropriation, seizure, and confiscation – perpetrated by public authorities. They also seek to define the uneasy, often intricate relation between legal and legitimate. In a perspective of lights and shadows, the role of confiscation and expropriation changes : now seen as powerful instruments of change, now as enduring factors of conservation in the evolution of private ownership rights.
Les droits de propriété sont depuis longtemps au cœur de l’intérêt de diverses disciplines. L’attention des historiens s’est focalisée surtout sur la naissance de la propriété privée et individuelle telle qu’elle a été codifiée dans l’Europe libérale du XIX
Expropriation, Forced Sale, and Compensation : Legal Institutions and Professional Practice in Rome during the Pontificate of Alexander VII Chigi (1655–1667) - Maria Grazia D’Amelio 121
Expropriation, Forced Sale, and Compensation : Legal Institutions and Professional Practice in Rome during the Pontificate of Alexander VII Chigi (1655–1667) Maria Grazia D’Amelio* Richard Krautheimer, in his still unsurpassed volume The Rome of Alexander VII (Rome 1987), reconstructed the building activity undertaken by Pope Alex- ander VII (Fabio Chigi, 1599–1667) to bring Rome back to its former glory1. When he became pope in 1655, only a few piazzas of the city had been regular- ized, and only the urban areas developed in the sixteenth century – along the edges of the Campo Marzio, Colonna and Monti quarters – were innervated by streets that were relatively wide and straight. The contrast between monumen- tal edifices and simple housing (domestica) on medieval lots of land was glaring. It is interesting to read the comments of an English traveller, who was shocked by the discrepancy : “There is no other city where the churches, convents and palaces look so noble […] and the other buildings look so poor”2. Comfortable and convenient, ornament and embellishment are terms used repeatedly in documents concerning Chigi building sites. They were used to justify works that redesigned and modernized buildings, straightened and broadened roads, and expanded and regularized piazzas. Significantly, these squares were called hippodromum, theatrum, machina heroica3. * Dedicated to Vera Comoli, whose words are in my heart. I thank Iris Jones for her invalu- able help. 1 Krautheimer Richard, The Rome of Alexander VII, 1655–1667, Princeton/N.J, Prince- ton University Press, 1985, trad. it. Roma di Alessandro VII...
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