Show Less

Studi Pergolesiani- Pergolesi Studies

Series:

Edited By Claudio Bacciagaluppi, Hans-Günter Ottenberg and Luca Zoppelli

La musica napoletana conosce uno straordinario successo europeo fin dai primi decenni del Settecento. I contributi raccolti in questo volume presentano le fonti e la fortuna dei Napoletani, e di Pergolesi in particolare, a Dresda, in Boemia e in Slesia. Le fonti pergolesiane vengono esaminate fin nei dettagli di scrittura, tanto in vista della nuova edizione critica quanto nella prospettiva della prassi esecutiva storicamente informata. La corrispondenza diplomatica tra Dresda e Napoli si rivela un canale ricchissimo di scambi di informazioni e di partiture. Lontano dalla corte sassone, per la diffusione della musica napoletana giocano un ruolo essenziale alcune famiglie nobiliari boeme. Le case di ordini religiosi (cistercensi, gesuiti) si scambiano tra Boemia e Slesia moltissime composizioni sacre, variamente adattate secondo i bisogni locali. Le opere napoletane sono popolarizzate dalle compagnie girovaghe di cantanti, che solitamente provengono dall’Italia settentrionale. Nuovi elementi biografici e analisi di opere arricchiscono la nostra conoscenza di conterranei o contemporanei di Pergolesi come Giovanni Alberto Ristori, Nicola Porpora, Domenico de Micco e Leonardo Leo.
Neapolitan music enjoyed an extraordinary European success starting with the first decades of the 18 th century. The contributions to the present volume illustrate the sources and the reception of the Neapolitans, and foremost of Pergolesi, in Dresden, in Bohemia and in Silesia. Pergolesi sources are described down to details of writing, with an eye both to the new critical edition and to historically informed performing practice. Diplomatical correspondence between Dresden and Naples was widely used as a source of musical information and a means of exchanging scores. Far from the Saxon court, the Neapolitan music is encouraged by some prominent Bohemian aristocrats. Different religious houses (cistercians, jesuits) exchange sacred music, variously adapted to local needs. Neapolitan opera is popularised through wandering troupes, coming mostly from Northern Italy. New biographical data and work analyses enrich our knowledge of contemporaries or fellow countrymen of Pergolesi’s such as Giovanni Alberto Ristori, Nicola Porpora, Domenico de Micco and Leonardo Leo.

Prices

Show Summary Details
Restricted access

Claudio Bacciagaluppi, Hans-Günter Ottenberg, Luca Zoppelli: Prefazione 7

Extract

3UHID]LRQH /DTXDUWDLQRUGLQHGLWHPSRGHOODVHULHGLFRQIHUHQ]HRUJDQL]]DWHLQRFFD VLRQHGHOWHU]RFHQWHQDULRGHOODQDVFLWDGL*LRYDQQL%DWWLVWD3HUJROHVLVLq WHQXWDQHOOD6lFKVLVFKH/DQGHVELEOLRWKHN²6WDDWVXQG8QLYHUVLWlWVELEOLR WKHND'UHVGDQHOQRYHPEUH2VSLWDWDGDO/HKUVWXKOIU0XVLNZLVVHQ VFKDIWGHOOD7HFKQLVFKH8QLYHUVLWlW'UHVGHQODFRQIHUHQ]DqVWDWDSURPRV VD LQ FROODERUD]LRQH FRQ LO'RPDLQH GHPXVLFRORJLH GH O·8QLYHUVLWp GH )ULERXUJLO&HQWUR6WXGL3HUJROHVLGHOO·8QLYHUVLWjGL0LODQRHOD)RQGD]LR QH3HUJROHVL6SRQWLQLGL-HVL,OSUHVHQWHYROXPHQHUDFFRJOLHJOLDWWL $OO·LQWHUQRGHOODVHULHODFRQIHUHQ]DGL'UHVGDqVWDWDODSULPDDVYROJHUVL IXRULG·,WDOLDVHJXLWDDSRFKHVHWWLPDQHGLGLVWDQ]DGDXQDFRQIHUHQ]DD 7RN\R&RHUHQWHPHQWHLOWHPDVFHOWRqVWDWRTXHOORGHOODWUDVPLVVLRQHHULFH ]LRQHGL3HUJROHVLHGHLVXRLFRQWHPSRUDQHLLQ6DVVRQLDHLQ(XURSDFHQWUDOH )RUVHPHVVRLQRPEUDGDOSLQRWRILORQHGHOODULFH]LRQHSDULJLQDqRSLQLRQH GHLFXUDWRULFKHLVDJJLTXLFRQWHQXWLDSUDQRSURVSHWWLYHGLULFHUFDLQSDUWHLQ HGLWH&RQFLzVLFRQIHUPDFRPHLOFHQWHQDULRSHUJROHVLDQRVLDVWDWRORQWDQLV VLPRGDOOLPLWDUVLDXQDGLPHQVLRQHPHUDPHQWHFRPPHPRUDWLYDRFHOHEUDWLYD FRPHULFRUGD9LQFHQ]R'H9LYR)RQGD]LRQH3HUJROHVL6SRQWLQL-HVL 8QSULPRJUXSSRGL FRQWULEXWL DIIURQWD WHPDWLFKH ULJXDUGDQWLSUDVVL HVHFXWLYDH ILORORJLD&ODXGLR7RVFDQLQHOFRQWHVWRGHOODQXRYDHGL]LRQH FULWLFDGL3HUJROHVLSURPRVVDGDOOD)RQGD]LRQH3HUJROHVL6SRQWLQLHVXSSRU WDWDVFLHQWLILFDPHQWHGDO&HQWUR6WXGL3HUJROHVLLOOXVWUDDOFXQHTXHVWLRQL FKHVLVRQRSUHVHQWDWHFXUDQGRO·HGL]LRQHGLSDUWLWXUHDXWRJUDIHSHUJROHVLDQH (VVHULJXDUGDQRDGHVHPSLRLQGLFD]LRQLGLQDPLFKHGLYHUJHQWLRVWDQJKHWWH GLEDWWXWD LUUHJRODUL/·HGL]LRQH FULWLFDQRQ VROWDQWRGHYH FRQVLGHUDUH OR VYLOXSSRGHOOHFRQRVFHQ]HPXVLFRORJLFKHPDDQFKHWHQHUFRQWRGHOODFRP SHWHQ]DVSHFLILFDQHOO·LQWHUSUHWD]LRQHGLSUDWLFKHQRWD]LRQDOLVWRULFKHFKH 8QULQJUD]LDPHQWRqGRYXWRD)UDQFHVFR&RWWLFHOOLH1LFROD6FKQHLGHUSHUODFRQVXOHQ]D OLQJXLVWLFDQHLFRQWULEXWLGL9LQFHQ]R'H9LYRH&ODXGLR7RVFDQL/DWUDGX]LRQHGHOVDJJLR GL9iFODY.DSVD-DQD3HUXWNRYiH-DQD6SiFîLORYiqVWDWDFXUDWDGD/HQND.DSVRYi JOLHVHFXWRULVSHFLDOL]]DWLQHOODSUDVVLHVHFXWLYDGHOOD¶PXVLFDDQWLFD·KDQQR QHOFRUVRGHLGHFHQQLSURJUHVVLYDPHQWHDSSURIRQGLWR.DL.|SS+RFK VFKXOHGHU.QVWH%HUQPRVWUDWUDHQGRVSXQWRGDPDQRVFULWWLGLRSHUH SHUJROHVLDQHYDULHVHPSLGLFLzFKH-RVHSK5LHSHOFKLDPD¶RUWRJUDILD·PX VLFDOH,VHJQLGLDUWLFROD]LRQHVFULWWLVSHFLDOPHQWHQHJOLDUFKLYDQQRLQWHU SUHWDWL FRPH VHJQDOL G·DWWHQ]LRQH LQGLFDQGR HFFH]LRQL DOOD ¶RUWRJUDILD· VWDQGDUGGHVFULWWDGD4XDQW]*HPLQLDQLHDOWULDXWRUL /DWUDVPLVVLRQHGLIRQWLGLPXVLFDQDSROHWDQDHLOHJDPLSHUVRQDOLWUD 1DSROL H O·(XURSD FHQWUDOH q LO WHPD FRPXQHGL XQ VHFRQGR JUXSSRGL FRQWULEXWL /H ULFHUFKH DSSURIRQGLWH GL -yKDQQHVÉJ~VWVVRQ 5H\NMDYtN QHOO·$UFKLYLRGL6WDWRGL'UHVGDKDQQRFRQVLGHUHYROPHQWHDXPHQWDWR OH QRVWUHFRQRVFHQ]HVXOO·DWWLYLWjGL*LRYDQQL$OEHUWR5LVWRULDOODFRUWHQDSR OHWDQD²,OVXRUXRORXIILFLRVRHUDDYROWHTXHOORGLXQGLSORPD WLFRVIUXWWDQGRODVXDSRVL]LRQHGLLQVHJQDQWHGLPXVLFDGHOODUHJLQD0DULD $PDOLD1XPHURVHGHOXVLRQLVLDGDOSXQWRGLYLVWDILQDQ]LDULRFKHGDTXHO ORGHOOHSURVSHWWLYHGLFDUULHUDD1DSROLORULSRUWDURQRLQILQHD'UHVGDQHO 3DRORJLRYDQQL0DLRQH &RQVHUYDWRULR GL0XVLFD' &LPDURVD $YHOOLQRSUHVHQWDXQULFFRYHQWDJOLRGLGRFXPHQWLGDOODFRUULVSRQGHQ]D GLSORPDWLFDQDSROHWDQDGD'UHVGD$FFDQWRDLQIRUPD]LRQLVXFDQWDQWLH PXVLFLVWLOHPLVVLYHSURYYHGHYDQRDWHQHUHLQIRUPDWD0DULD$PDOLDVXOOH QRYLWjGHOVXRFRPSRVLWRUHSUHIHULWR+DVVH/HSDUWLWXUH¶YLDJJLDQWL·YDQ QRGDFRPPLVVLRQLQDSROHWDQH /·DVLOR G·$PRUH DRSHUH UDSSUHVHQWDWH D 'UHVGDHFRSLDWHFRQO·LQWHQ]LRQHGLIDUOHHVHJXLUHDO6DQ&DUOR$UPLQLR D FRSLH GHVWLQDWH D VRGGLVIDUH O·LQWHUHVVH FROOH]LRQLVWLFR GHOOD UHJLQD 'HPRIRRQWH-DQLFH%6WRFNLJW8QLYHUVLW\RI 0HOERXUQHSDVVDLQUDVVH JQDOHFRPSRVL]LRQLLWDOLDQHQHOOHFROOH]LRQLGHOODFKLHVDFDWWROLFDGL'UHVGD FRQVHUYDWHDOOD6lFKVLVFKH/DQGHVELEOLRWKHN²6WDDWVXQG8QLYHUVLWlWV ELEOLRWKHN'UHVGHQGDOSXQWRGLYLVWDGLXQDIRQWHSULYLOHJLDWDLOFDWDORJR FRPSLODWR VRWWR OD VXSHUYLVLRQHGL -RKDQQ*HRUJ 6FKUHU QHO /H DSSHQGLFLFRQOHOLVWHGLIRQWLSHUJROHVLDQHHGLWXWWLLFRPSRVLWRULLWDOLDQL PHQ]LRQDWLQHOO·LQYHQWDULRVWRULFRRIIURQRDEERQGDQWHPDWHULDOHSHUIXWX UHULFHUFKH2UWUXQ/DQGPDQQ'UHVGHQRIIUHXQDSDQRUDPLFDGHLSRFKL GRFXPHQWL FKHHIIHWWLYDPHQWH WUDWWDQRGHOO·DWWLYLWjGL3RUSRUDD'UHVGD 8QDOLVWDGHWWDJOLDWDGHOOHIRQWLGL3RUSRUDDWWXDOPHQWHFRQVHUYDWHD'UHVGD qIRUQLWDLQDSSHQGLFH6WHIDQR$UHVL7UHYLJOLRULHVDPLQDODILORORJLDGHL 'XHWWLVXOOD3DVVLRQHGL&ULVWRGL3RUSRUDDOODOXFHGLXQPDQRVFULWWR SURYHQLHQWHGDOODVFLWRGHOVXRDOOLHYR*D]]DQLJDVXJJHUHQGRFKHLGXHWWL 35()$=,21( VLDQRVWDWLHIIHWWLYDPHQWHFRPSRVWLSHUODFRUWHVDVVRQH0XVLFDOPHQWHL GXHWWLFRVWLWXLVFRQRXQDVSHFLHGLGLPRVWUD]LRQHGHOODYHUVDWLOLWjFRPSRVLWLYD GL3RUSRUDDQDORJDPHQWHDOOH6RQDWH;,,GLYLROLQRHEDVVR 8QWHU]RJUXSSRGLWHVWLHVDPLQDODWUDVPLVVLRQHGLPXVLFDQDSROHWDQD LQ(XURSDFHQWUDOH...

You are not authenticated to view the full text of this chapter or article.

This site requires a subscription or purchase to access the full text of books or journals.

Do you have any questions? Contact us.

Or login to access all content.