Show Less

Studi Pergolesiani- Pergolesi Studies

Series:

Edited By Claudio Bacciagaluppi, Hans-Günter Ottenberg and Luca Zoppelli

La musica napoletana conosce uno straordinario successo europeo fin dai primi decenni del Settecento. I contributi raccolti in questo volume presentano le fonti e la fortuna dei Napoletani, e di Pergolesi in particolare, a Dresda, in Boemia e in Slesia. Le fonti pergolesiane vengono esaminate fin nei dettagli di scrittura, tanto in vista della nuova edizione critica quanto nella prospettiva della prassi esecutiva storicamente informata. La corrispondenza diplomatica tra Dresda e Napoli si rivela un canale ricchissimo di scambi di informazioni e di partiture. Lontano dalla corte sassone, per la diffusione della musica napoletana giocano un ruolo essenziale alcune famiglie nobiliari boeme. Le case di ordini religiosi (cistercensi, gesuiti) si scambiano tra Boemia e Slesia moltissime composizioni sacre, variamente adattate secondo i bisogni locali. Le opere napoletane sono popolarizzate dalle compagnie girovaghe di cantanti, che solitamente provengono dall’Italia settentrionale. Nuovi elementi biografici e analisi di opere arricchiscono la nostra conoscenza di conterranei o contemporanei di Pergolesi come Giovanni Alberto Ristori, Nicola Porpora, Domenico de Micco e Leonardo Leo.
Neapolitan music enjoyed an extraordinary European success starting with the first decades of the 18 th century. The contributions to the present volume illustrate the sources and the reception of the Neapolitans, and foremost of Pergolesi, in Dresden, in Bohemia and in Silesia. Pergolesi sources are described down to details of writing, with an eye both to the new critical edition and to historically informed performing practice. Diplomatical correspondence between Dresden and Naples was widely used as a source of musical information and a means of exchanging scores. Far from the Saxon court, the Neapolitan music is encouraged by some prominent Bohemian aristocrats. Different religious houses (cistercians, jesuits) exchange sacred music, variously adapted to local needs. Neapolitan opera is popularised through wandering troupes, coming mostly from Northern Italy. New biographical data and work analyses enrich our knowledge of contemporaries or fellow countrymen of Pergolesi’s such as Giovanni Alberto Ristori, Nicola Porpora, Domenico de Micco and Leonardo Leo.

Prices

Show Summary Details
Restricted access

Stefano Aresi: Porpora tra Dresda e Vienna: i Sei duetti sulla Passione di Cristo 229

Extract

6WHIDQR$UHVL 3RUSRUDWUD'UHVGDH9LHQQDL6HLGXHWWLVXOOD3DVVLRQHGL&ULVWR ,QWURGX]LRQH /XQJLGDOYROHUULVROYHUHOHTXHVWLRQLVRVSHVHLQPHULWRDOUXRORHIIHWWLYRGL 3RUSRUDSUHVVRODFRUWHGL6DVVRQLD3RORQLDDOVXRUDSSRUWRSULYLOHJLDWR FRQLSULQFLSLHOHWWRULHDOODUHFH]LRQHGHOODVXDPXVLFDDUJRPHQWLGLVFXVVL LQTXHVWRVWHVVRYROXPHLOSUHVHQWHVDJJLRGHVLGHUDULFROORFDUHQHOSUR SULRDOYHRXQWDVVHOORDUWLVWLFDPHQWHWXWW·DOWURFKHVHFRQGDULRQHOODSURGX ]LRQHGHOPDHVWURSDUWHQRSHR,6HLGXHWWLVDFULDOWUHVuQRWLFRPH'XHWWLSHUOD 4XDUHVLPDR6HLGXHWWLODWLQLVXOOD3DVVLRQHGL1RVWUR6LJQRUH*HV&ULVWRVRQR VWDWLLQIDWWLVLQRUDHUURQHDPHQWHULIHULWLGDFULWLFLHVWRULFLWUDFXLORVFULYHQ WH DGXQD FRPPLWWHQ]D HGXQ FRQVXPRYLHQQHVLPHQWUH LOPRWRUH H L IUXLWRULILQDOLGHOSURGRWWRPXVLFDOHDQGUHEEHURLGHQWLILFDWLQHOO·DPELWRGHOOD FRUWHGL6DVVRQLD3RORQLD 6LYHGD257581/$1'0$11 1HOO·LQWURGX]LRQHD1,&2/$$1721,2325325$6HL GXHWWL ODWLQL VXOOD3DVVLRQHGL1RVWUR 6LJQRUH*HV&ULVWR0RWWHWWLSHU$QJHOD0RURDFXUDGL6WHIDQR$UHVL3LVD(76'LYHU VHYRFL«VRVWHQHYRFRQFRQYLQ]LRQHO·LSRWHVLYLHQQHVHODQXRYDHGL]LRQHSHULWLSLGL *UDQ7RQDQWHqFRQIRUPHLQYHFHDOOHVFRSHUWHHIIHWWXDWHLQVHJXLWRHGqGDULWHQHUVLSUHIHULELOH DQFKHSHUTXDQWRFRQFHUQHODFRUUHWWH]]DGHOWHVWRPXVLFDOHLQILFLDWRQHOODSUHFHGHQWHGD DOFXQLUHIXVLWLSRJUDILFL1,&2/$325325$6HLGXHWWLVDFULDFXUDGL6WHIDQR$UHVL bOJDUnV*UDQ7RQDQWH6HULH3RUSRUD,OFLFORKDJRGXWRGLXQDLQFLVLRQHGLVFRJUDILFD LQWHJUDOHFRPPHUFLDOL]]DWDQHO1,&2/$$1721,2325325$3DVVLR0XVLFRQWKH3DVVLRQ RI &KULVW(PDQXHOD*DOOL)UDQFHVFD&DVVLQDUL0DULQD'H/LVR)XOYLR%HWWLQL6WLOH*DODQWH 6WHIDQR$UHVL3DQ&ODVVLFV3&HGLXQDSDU]LDOHQHO1,&2/$$1721,232532 5$/HoRQVGH7pQqEUHV,VDEHOOH3RXOHQDUG.DULQH'HVKD\HV(ORGLH0pFKDLQ/HV3DODGLQV -pU{PH&RUUpDV$ULRQ$51 ,O VRORGXHWWRVHFRQGRFRPSDUH LQILQHQHO&'GHO 1,&2/$325325$0HVVDDYRFLHRUFKHVWUD*LDQOXFD%HOILRUL'RUR$QQD/DXUD/RQJR /HRQDUGRGH/LVL)UDQFHVFR)DFLQL2UFKHVWUD&LWWj/LULFD&DSHOOD6&HFLOLDGHOOD&DWWHGUD OHGL/XFFD*LDQIUDQFR&RVPL%RQJLRYDQQL*% %HQSRFROXVLQJKLHURqLOJLXGL]LRULSRUWDWRGD3LVHQGHOLQPHULWRDOO·DWWLYLWj GL3RUSRUDD'UHVGDLQXQDOHWWHUDLQGLUL]]DWDD7HOHPDQQ©'D‰VLFKGHU +HUU%UXGHUQLFKWPLWGHQ>VLF@3RUSRUDYHUZRUUHQLVWVHKUZRO>VLF@JHWKDQ +HUU6FKHLEHKDWLKP>@VHKUZROEHVFKULHEHQYLHO*HVFKUH\ZHQLJ:ROOH HULVWXQGWKXWKLHUJDUQLFKWVXQGKDWGRFKMlKUOLFK7KO%HVROGXQJª 3HULOSRFRFKHFLqGDWRGLVDSHUHWXWWDYLDLOQDSROHWDQRJRGHWWHVHPSUHGL SDUWLFRODULSULYLOHJLQHOODFLWWjVXOO·(OEDVLQGDOVXRDUULYRGD9HQH]LDQHO DOSXQWRGLHVVHUHQRPLQDWRLQXQVRORDQQRGLDWWLYLWj.DSHOOPHLVWHU DGLVSHWWRGHOOHOHJLWWLPHDWWHVHGL+DVVHLO$SULOHRWWHQHQGRLQRO WUHXQDFODPRURVDSHQVLRQHGLWDOOHULDQQXLDWHUPLQHGHOSURSULRVHUYL ]LRQHO(SSXUHqSRVVLELOHFKH3LVHQGHOQRQDYHVVHWXWWLLWRUWLQHO ODPHQWDUVLGHOODVFDUVDDWWLYLWjGHOQRVWURDQFKHHVFOXGHQGRXQDDYYHUVLRQH SHUVRQDOHGLVWDPSRFDUDWWHULDOHGDSDUWHGHOYLROLQLVWDQHLFRQIURQWLGL3RU SRUDHVRUYRODQGRVXXQDGLYHUJHQ]DDUWLVWLFDIDFLOHDGLPPDJLQDUVLGDWLL OHJDPLWUD3LVHQGHOH9LYDOGLRWUD3LVHQGHOH+DVVHQRQqLQRSSRUWXQR VRWWROLQHDUHTXDQWR L FLQTXHDQQL FKHGLYLGRQR O·DUULYRGHO FRPSRVLWRUH QDSROHWDQRD'UHVGDGDOODVXDGLSDUWLWDSHU9LHQQDQRQSDLDQRDYHUODVFLD WRVHJQLSDUWLFRODUPHQWHWDQJLELOLLQWHUPLQLGLSURGX]LRQHPXVLFDOH $GHVVHUHSUHFLVL GXH VRQR L ODYRULGLXQD FHUWD DPSLH]]DQDWLGDOOD PDQRGHO.DSHOOPHLVWHUFHUWDPHQWHDVFULYLELOLDOFRQVXPRPXVLFDOHGHOOD FRUWHVDVVRQHO·RUDWRULR,O9HUERLQFDUQHSHULO1DWDOHGHOHLOGUDP PDSDVWRUDOH)LODQGURGDWRDOOHVFHQHLOOXJOLRSHULOFRPSOHDQQRGL 0DULD$QWRQLD:DOSXUJLV 6LSRWUHEEHURSRL DFFRVWDUH DG HVVLSDUWLWXUH QRQGDWDWHHQRQIDFLOPHQWHFROORFDELOLDOWULPHQWLTXDOLTXHOOHGLFDQWDWHGD *(25*3+,/,337(/(0$11%ULHIZHFKVHO6lPWOLFKHHUUHLFKEDUH%ULHIHYRQXQGDQ7HOHPDQQD FXUDGL+DQV*URVVHH+DQV5XGROI -XQJ/HLS]LJ'HXWVFKHU9HUODJIU0XVLNS OHWWHUDGL3LVHQGHOD7HOHPDQQGDWDELOHWUDODILQHGLQRYHPEUHHODILQHGHOGLFHPEUH /·RULJLQDOHVLWURYDD7DUWX'RUSDW(VWRQLD%LEOLRWHFDGHOO·8QLYHUVLWj6WDWDOH(9 7$X0UJ&&&/,9D(SLVWRODH$XWRJUDSKDH&&3KLORVRSKRUXP&HOHEHUULPRUXP7RP 95LQJUD]LR1LFROD6FKQHLGHUSHUODVHJQDOD]LRQH 3HUTXHVWHHGDOWUHLQIRUPD]LRQLELRJUDILFKHVLULPDQGDDOOHYRFLGHGLFDWHDOFRPSRVLWRUH LQ1*URYHHG0**ROWUHFKHRYYLDPHQWHD)5$1.:$/.(5$&KURQRORJ\RI WKH/LIHDQG :RUNVRI 1LFROD3RUSRUDLQ©,WDOLDQ6WXGLHVªSS8/,66(3527$*,85/(23HU XQDHVDWWDELRJUDILDGL1LFROz3RUSRUDLQ©/D6FDODªSS $XWRJUDIRFRQVHUYDWRSUHVVR*%/EO$GG '/(X1, 67()$12$5(6, FDPHUDRGLPHVVHQRQOHJDWHDSDUWLFRODULSURSULDDQFKHFRPSLHQGRTXHVWD RSHUD]LRQHFRQWRWDOHYRORQWDULRDUELWULRQRQVLJLXQJHUHEEHFRPXQTXH DGXQ FRUSXV...

You are not authenticated to view the full text of this chapter or article.

This site requires a subscription or purchase to access the full text of books or journals.

Do you have any questions? Contact us.

Or login to access all content.