A corpus-based genre analysis of art museum audio descriptive guides (Silvia Soler Gallego)
Silvia Soler Gallego A corpus-based genre analysis of art museum audio descriptive guides 1. Introduction Following the principles of New Museology (Marstine 2006; Hooper- Greenhill 2007) and Critical Museology (Santacana-Mestre and Hernández-Cardona 2006), museums are nowadays conceived of as communication tools at the service of society and the community. This fosters visitors’ participation in the construction of knowledge, and fulﬁls an important role in social integration. Additionally, the social movements organised by people with disabilities in the past decades have led to a fundamental change from a Medical model to a Social model of disability, which posits that disability is not exclusively due to a person’s impairment, but also due to the barriers imposed on access by a society that limits impaired people’s equal participation in social life (Barnes and Mercer 2010: 30). These movements have also prompted important international and national legislation approved to guaran- tee equal access and universal accessibility (USA 1990; UN 2006; Spain 2011; UK 2010). In this context, museums around the world are increasingly aware of the need to implement resources that allow visi- tors with different capabilities to access and participate in the museum experience. Although the number of museums with access programs and resources for different types of visitors is still limited (Soler Galle go 2012: 43), they have proliferated in recent years thanks to the joint efforts of museum professionals, companies specializing in accessibil- ity and organisations of people with disabilities. One of the accessibility resources used by these museums...
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