Extract

Leonid Borodin (1938–2011) was a well-known prose writer and laureate of many prestigious literary awards, both Russian and international, including the French PEN Club Freedom Prize (1982), an award by the Italian PEN club, awards by the Mayor of Moscow and the journals Iunost’ (Youth), Nash sovremennik (Our Contemporary) and Roman-gazeta (Novel-Newspaper), as well as the Premiia Aleksandra Solzhenitsyna in 2002. Alongside his novels and short stories he has also written numerous essays on social and political topics. He was known for his longstanding involvement with the conservative literary journal Moskva, whose mission statement, “the principle of non-involvement with political forces of any colour and its orientation towards Orthodoxy and statehood”,1 can safely be assumed to reflect its former director’s worldview.

An establishment figure during the last decades of his life, Borodin began his “career” in the underground in the 1960s–70s. In the underground he was active in precisely the fields he has been pursuing “officially” since the fall of the Soviet Union: he was a prolific author of fiction and wrote numerous essays on social and political topics, although he remained virtually unpublished until Perestroika. In addition he was involved with several samizdat journals, chiefly Veche (Popular Assembly) and Moskovskii sbornik (Moscow Collection), as a commentator and editor.

Orthodox Christianity was a motivating force behind Borodin’s literary and editorial ambitions from the very beginning. A large number of essays and interviews throw light on the centrality of Orthodoxy to Borodin’s...