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Les collections des arts du spectacle et leur traitement- Performing Arts Collections and Their Treatment

Congrès de Rome SIBMAS (2002)- SIBMAS Congress in Rome (2002)

Edited By Nicole Leclercq, Kristy Davis and Maria Teresa Iovinelli

Comment se compose la mémoire du spectacle ? Les bibliothèques et les musées s’attachant à l’entretenir ont parfois du mal à contenir une matière aussi multiforme. Chaque collection a son histoire, chaque institution a dû faire face à diverses difficultés. Dans cette mission, la technologie peut contribuer à approfondir la mémoire du spectacle et à élargir virtuellement à l’infini les espaces qui l’accueillent. Le congrès de la SIBMAS qui s’est tenu à Rome en 2002 témoignait d’une étape dans la réflexion suscitée par l’utilisation des nouvelles technologies dans les bibliothèques et les centres d’archives. Cet ouvrage en présente les communications.
How is the memory of a show evoked and brought back to life? Libraries and museums, by focusing on conservation, sometimes struggle to control the many details of the subject matter. Each collection has its own history and each institution has faced a multitude of difficulties. The aim of the papers put forward in this book is to illustrate how technology can help deepen the memory of each show and expand the virtually infinite spaces that keep them. The SIBMAS Congress held in Rome in 2002 represented a step forward in thinking about the use of new technologies in libraries and archives.

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SÉANCE INAUGURALE / OPENING SESSION Opening Speech ................................................................................... 13 Claudia Balk Mot d’ouverture ................................................................................... 17 Claudia Balk Introduction ......................................................................................... 21 Maria Teresa Iovinelli Introduction ......................................................................................... 23 Maria Teresa Iovinelli PREMIÈRE PARTIE. LES COLLECTIONS DES ARTS DU SPECTACLE : TYPOLOGIES ET PROBLÈMES FIRST PART. PERFORMING ARTS COLLECTIONS: TYPOLOGIES AND PROBLEMS En matière d’art du théâtre, quelles archives, pour quelle vie, au sein d’un organisme vivant ou d’un centre d’archivage ? .......... 27 Vincent Radermecker The Institute for Letters, Theatre and Melodrama of the Cini Foundation ............................................ 43 Maria Ida Biggi The Herla Project: Inventorying Gonzaga’s Italian and European Documentation on Performance ............................... 49 Simona Brunetti The Archives of the Teatro Comunale of Florence. Now Called the Teatro del Maggio Musicale Fiorentino – Fondazione: 1933-2002 ..................................................................... 65 Moreno Bucci 8 DEUXIÈME PARTIE. CONSERVATION ET ORGANISATION DE L’ESPACE SECOND PART. PRESERVATION AND SPACE ORGANISATION Reorganisation of Stack Space in the Performing Arts Collection at the Harry Ransom Humanities Research Center ............................. 73 Helen Adair Using New Technologies to Overcome the Problem of Museum Space ......................................... 79 Ksenija Radulović TROISIÈME PARTIE. LES RÉSEAUX ET LES RÉPERTOIRES EN LIGNE THIRD PART. NETWORKS AND ONLINE DIRECTORIES The SIBMAS International Directory of Performing Arts Collections and Institutions Online. The Transition from Printed Volume to Online Service, How It Was Done, Why Was It Done, How Is It Being Received? .................................................................. 85 Paul Ulrich Le Répertoire des arts du spectacle (RASP) ..................................... 103 Christelle Cazaux Backstage. Discovering Performing Arts Resources ...................... 115 Claire Hudson AusStage. Recording Performing Arts Events in Australia ........... 121 Richard Stone...

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