Les Convergences entre passé et futur dans les collections des arts du spectacle- Connecting Points: Performing Arts Collections Uniting Past and Future
Congrès de Munich - Munich Congress
Edited By Nicole Leclercq
Past, Present, Future – these are permanent connecting points in the work of performing arts collections. It is their crucial commitment to preserve the past, to spread out several activities in the present and to develop strategies for the future. The challenges of performing arts collections are in the middle of these crossroads, which is the theme of the SIBMAS Congress papers presented in this book. The various international contributions are concentrated on the main topics of performing arts collections daily tasks. They were presented and discussed at the SIBMAS Congress in Munich 2010, the first conference in cooperation with the IFTR World Congress, strengthening the relationship between theatre research and performing arts collections.
World Scenography Book Project
York University (Canada)
World Scenography1 is a new book series that will document and contextualise significant contemporary theatrical design worldwide since 1975. There has been no comprehensive documentation of global scenography since the four-volume series Stage Design throughout the World, by Belgian professor René Hainaux, covered the period 1935-1975. This new three-volume series, to be published both in print and online, will cover the periods of 1975-1990, 1990-2005, and 2005-2015 respectively. The first volume will be published at the USITT Conference in Long Beach, California in March 2012; Volume Two at the World Stage Design 2013; and Volume Three at the Prague Quadrennial 2015. It is anticipated that following the publication of these three volumes, OISTAT will continue to publish another volume every ten years. The book series is an official project of OISTAT, the International Organization of Scenographers, Theatre Architects and Technicians. The international editorial team for World Scenography will be led by co-editors Peter McKinnon (Canada) and Eric Fielding (USA).
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