Theatre, Drama, and Performance in Post-apartheid South Africa
Edited By Greg Homann and Marc Maufort
Texts, Cultures and Performances
This series presents innovative research work in the dramaturgies of the twentieth and twenty-first centuries. Its main purpose is to re-assess the complex relationship between textual studies, cultural and/or performance aspects at the dawn of this new multicultural millennium. The series offers discussions of the link between drama and multiculturalism (studies of “minority” playwrights – ethnic, Aboriginal, gay, and lesbian), reconsiderations of established playwrights in the light of contemporary critical theories, studies of the interface between theatre practice and textual analysis, studies of marginalized theatrical practices (circus, vaudeville, etc.), explorations of emerging postcolonial drama, research into new modes of dramatic expressions and comparative or theoretical drama studies.
The Series Editor, Marc MAUFORT, is Professor of English literature and drama at the Université Libre de Bruxelles.
No.33 – Birgit DÄWES and Marc MAUFORT (eds.), Enacting Nature. Ecocritical Perspectives on Indigenous Performance, 2014, ISBN 978-2-87574-146-2
No.32 – Gerald GILLESPIE, Ludwig Tieck’s Puss-in-Boots and Theater of the Absurd. A Commentated Bilingual Edition, 2013, ISBN 978-2-87574-026-7
No.31 – Julie VATAIN, Traduire la lettre vive. Duos anglais sur la scène française, 2012, ISBN 978-2-87574-012-0
No.30 – Ève FEUILLEBOIS-PIERUNEK (dir.), Théâtres d’Asie et d’Orient. Traditions, rencontres, métissages, 2012, ISBN 978-90-5201-847-8
No.29 – Thierry DUBOST (ed.), Drama Reinvented. Theatre Adaptation in Ireland (1970-2007), 2012, ISBN 978-90-5201-800-3
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