Colour in Baudelaire’s Art Criticism
Acknowledgements My thanks go to Peter Collier for his continuing interest, assistance and encouragement, as well to Sonya Stephens, Christopher Johnson, Rosemary Lloyd and John Gage for their helpful comments and advice at various stages of this manuscript. I am grateful to David Scott in Dublin for his original inspiration and guidance, and to the late, brilliant David Kelley, who could not have been a better introduction to Baudelaire. I would like to thank my colleagues at the University of Cambridge Institute of Continuing Education and the librarians and staf f of the University Library, Cambridge, for their help and resources. Lastly, thanks to my family and my friends for their encouragement, but mostly to Charles, for, among other things, his generous practical help and his continuing af fection.
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