Essays in French Studies in Memory of Malcolm Bowie
Part 2 Poetry 35
PART 2 Poetry Michael Sheringham Pierre Alferi and the Poetics of the Dissolve: Film and Visual Media in Sentimentale Journée The vocabulary and technology of film, from silent cinema, through genre films, to special ef fects and video, figure prominently in the poetry of Pierre Alferi, notably in such collections as Sentimentale Journée (1997) [A Day’s Journey] and La Voie des airs (2004) [Airway]. In the last ten years Alferi has written extensively on film. Des enfants et des monstres (2004) [Children and Monsters] collects pieces on horror movies he wrote for Cahiers du cinéma; whilst Le Cinéma des familles (1999) [Family Cinemas] is a novel or autofic- tion where a childhood is viewed through the prisms of a number of films including Charles Laughton’s Night of the Hunter (1955) and Robert Fla- herty and Zoltan Korda’s Elephant Boy (1937).1 Alferi started doing public readings from Le Cinéma des familles while extracts from the films were projected behind him with soundtrack material remixed by the musician Rodolphe Burger. Then, in 2002, he produced a DVD called Cinépoèmes et films parlants [Cinepoems and Talking Films] comprising short film works he had made himself since 2000.2 The four films parlants consist of sequences from existing films, including Night of the Hunter and Elephant Boy, which Alferi re-edits, reordering, slowing down, and repeating bits of the original. He then adds a text he has written himself which is supplied either through subtitles or voice-over. In...
You are not authenticated to view the full text of this chapter or article.
This site requires a subscription or purchase to access the full text of books or journals.
Do you have any questions? Contact us.Or login to access all content.