Show Less

Robert Desnos

Surrealism in the Twenty-First Century

Series:

Edited By Marie-Claire Barnet, Eric Robertson and Nigel Saint

« Ce n’est pas la poésie qui doit être libre, c’est le poète. » A legendary figure within the Surrealist movement, Robert Desnos (1900-1945) has left a unique legacy as a poet of distinction, as a ‘dormeur éveillé’ revered by his fellow Surrealists, and as a free spirit par excellence. In celebrating Desnos’s unique creative voice, this book re-evaluates his prominence within and beyond the Surrealist movement, reappraises his status as a poet, and sheds new light on his contribution to the literary and cultural life of his age. The essays in the volume reflect the ongoing vitality and relevance of Desnos’s poetry and the originality of his contribution to the various other forms of expression in which he excelled: journalism, short stories, script-writing and song-writing. Desnos’s extensive writings on art and artists, his active involvement in avant-garde film and his close associations with a number of renowned painters are also addressed. This fresh look at Desnos’s activities and contexts includes an interview with the artist Georges Malkine’s daughter, Fern Malkine-Falvey, and a study of the memoirs of Desnos’s wife, Youki. The volume closes with a rare collection of journalistic writings by Desnos which appeared in Le Soir in the late 1920s and have never appeared in print since their original publication.

Prices

Show Summary Details
Restricted access

Introduction 11

Extract

MARIE-CLAIRE BARNET, ERIC ROBERTSON AND NIGEL SAINT Introduction Ce n’est pas la poésie qui doit être libre, c’est le poète.1 A legendary figure within the Surrealist movement, Robert Desnos (1900–1945) has left a unique legacy as a poet of distinction, as a ‘dormeur éveillé’ revered by his fellow Surrealists, and as a free spirit par excellence. In celebrating Desnos’s unique creative voice, this book re-evaluates his status within and beyond the Surrealist move- ment, reappraises his status as a poet, and sheds new light on his con- tribution to the literary and cultural life of his age. The essays in the volume reflect the ongoing vitality and relevance of Desnos’s poetry and the sheer originality of his contribution to the various other forms of expression in which he excelled: journalism, script-writing and song-writing, to name but a few. The visual arts occupied a par- ticularly important place in his work, as is borne out by his extensive writings on art and artists, his active involvement in avant-garde film and his close associations with a number of prominent painters. The principal aim of the book is to illustrate the variety and enduring appeal of Desnos’s literary endeavours, but it also intends to reveal the lines of continuity that cut across the wide range of creative forms which he used. The various chapters explore Desnos from many angles, offering fresh approaches not only to his work as a poet, critic and journalist, but also to the literary, historical...

You are not authenticated to view the full text of this chapter or article.

This site requires a subscription or purchase to access the full text of books or journals.

Do you have any questions? Contact us.

Or login to access all content.