Word and Image in France, 1880–1926
Acknowledgements vii List of Illustrations ix Introduction Interchange and Rivalry between the Arts 1 Chapter 1 Hierarchies of the Senses in Symbolist Criticism 17 Chapter 2 A Creative Conspiracy: Gauguin’s Noa Noa 65 Chapter 3 Art in Theory: Word and Image in Early Cubist Criticism 113 Chapter 4 Mallarmé, Picasso and the Aesthetic of the Newspaper 163 Chapter 5 Gide’s Les Faux-monnayeurs: From Alchemy to Forgery 197 Coda Visual and Verbal Simultaneity in the Early Twentieth Century 233 Bibliography 247 Index 265
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