Essays on Irish Theatre, Scholarship and Practice
Edited By Rhona Trench
Notes on Contributors xiii
Notes on Contributors Virginie Privas-Bréauté teaches English at Lyon 3 University, France. She completed her doctoral dissertation in 2007, on the religious dimension of the 1969 Northern Irish Troubles through the work of contemporary Belfast playwrights Stewart Parker (1941–1989) and Anne Devlin (1951–). Her research interests lie in Northern Irish theatre, women’s writing and performance and cultural politics. Mary Caulfield completed her PhD in 2011 at the School of Drama, Film and Music at Trinity College Dublin. Her research recovers the playtexts of Constance Markievicz, and looks to controversial women in Ireland’s past who combine the political and the performative in order to assert their own public positions while promoting women’s agency and visibility. Also a practising actor, she has published chapters on her work in forthcoming collections and most recently contributed an article to Theatre Research International on the ‘state of play’ in Irish theatre studies scholarship. Enrica Cerquoni previously taught Drama Studies at University College Dublin and has published widely on Irish theatre. Her main areas of interest are scenography and performance, space and gender and Irish theatre. She is currently writing a book on the works of Anne Devlin and Marina Carr. Suzanne Colleary completed her PhD at University College Dublin in 2011, entitled ‘The Storied Self: An Analysis of Performative Identities in Irish Stand Up Comedy’. She works as a teaching assistant at University College Dublin and as an Assistant Lecturer at the Institute of Technology, Sligo. Suzanne is the founder of the Lir...
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