Class, Art, and «Socialism» in Post-War Austria
Acknowledgements xi A Brief Introduction 1 Chapter One Thomas Bernhard’s Anti-Proletarian Screed: The “Politische Morgenandacht” in its Historical Context 5 Chapter Two Obedience, History, Everyday Life, and the Return of Class Conf lict in Das Kalkwerk 39 Chapter Three Alienated Labor and the Abolition of Class Society: Thomas Bernhard and the Proletarian 87 Excursus The Ohlsdorfer Bauernbündler and the “Little Shit” from Brooklyn: Thomas Bernhard in the Light of Henry Miller 125 Chapter Four The Social(ist) Construction of Art in Thomas Bernhard’s Alte Meister 135 Excursus Salzburg 163 xEpilogue Gmunden, and Everything Connected with It 167 Bibliography 183 Index 193
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