The Films of Man Ray
During the 1920s Man Ray made four short experimental films and collaborated on a host of other projects with people such as Marcel Duchamp, Fernand Léger, René Clair and Hans Richter. These works, along with a series of cinematic essays and home movies made during the 1920s and 1930s, represent the most important contribution to the development of an alternative mode of filmmaking in the early twentieth century. This book explores Man Ray’s cinematic interactions from the perspective of his interdisciplinary artistic sensibility, creating links between film, photography, painting, poetry, music, architecture, dance and sculpture. By exposing his preoccupation with form, and his ambiguous relationship with the politics and aesthetics of the Dada and Surrealist movements, the author paints an intimate and complex portrait of Man Ray the filmmaker.
CHAPTER 4 - Film, poetry and architecture: Les Mystères du Château du Dé 163
CHAPTER 4 Film, poetry and architecture: Les Mystères du Château du Dé (1929, 35mm, 25 mins, black and white, silent with musical accompaniment) Les Mystères du Château du Dé is the least discussed of Man Ray’s cinematic oeuvre. Unlike Le Retour à...
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