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Sovereign Stories

Aesthetics, Autonomy and Contemporary Native American Writing

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Padraig Kirwan

Sovereign Stories examines contemporary Native American writers’ engagement with various forms of cultural, political, and artistic sovereignty. The author considers literature’s ability to initiate vital discussions about tribal autonomy in modern America and suggests that innovative literary styles are a compelling articulation of the connection between aesthetic and political concerns. In so doing, he concentrates on fictional and poetic forms, the structure and imagery of which comment on indigenous autonomy, selfdetermination, and artistic activism. Offering original selective analysis of the fiction and poetry of Elizabeth Cook-Lynn, Sherman Alexie, David Treuer, LeAnne Howe, Louise Erdrich, Greg Sarris, and Craig Womack, this book explores these tribal authors’ concern with intellectual and creative sovereignty and deftly links those interests to the broader cultural and political issues faced by Native American communities today.

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Contents

Extract

Acknowledgments ix Chapter 1 Introduction 1 Chapter 2 Who’s Afraid of Elizabeth Cook-Lynn? Nationalism and Voice in Aurelia 39 Chapter 3 “Indigenous to the Land, an Immigrant to the Culture”: Sherman Alexie and the Third Space of Sovereignty 65 Chapter 4 “All the Talk and All the Silence”: Literary Aesthetics and Cultural Boundaries in David Treuer’s Little 117 Chapter 5 Portrait of the Artist: Authority, Autonomy, and Authorship in Louise Erdrich’s Shadow Tag 151 Chapter 6 Choctalking: The Realities of Fiction in LeAnne Howe’s Shell Shaker 217 viii Chapter 7 “Not a Chaotic Wake, Not an Empty Space”: The Future of Art, Life, and Criticism in the Work of Craig Womack and Greg Sarris 263 Bibliography 319 Index 335

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