Visual Culture, Modernity and the Representation of Urban Space
Drawing together scholars from across the arts, humanities and social sciences, the collection addresses two emerging themes in Irish studies: the intersection of the city with cultural politics, and the role of the visual in projecting Irish cultural identity. The essays not only ask new questions of existing cultural histories but also identify previously unexplored visual representations of the city. The book’s interdisciplinary approach seeks to broaden established understandings of visual culture within Irish studies to incorporate not only visual artefacts, but also textual descriptions and ocular experiences that contribute to how we come to look at, see and experience both Dublin and Ireland.
Notes on Contributors
Síghle Bhreathnach-Lynch was Curator of Irish Art (1998–2009) at the National Gallery of Ireland until her retirement. Before that she taught history of art at University College Dublin and was a tutor at the Open University. Her research interests include all aspects of Irish painting and sculpture in the nineteenth and early twentieth centuries. In addition to publishing widely on Irish art in catalogues and journals she is co-editor of Art, Nation and Gender: Ethnic Landscapes, Myths and Motherfigures (2003). Her most recent book is Ireland’s Art, Ireland’s History: Representing Ireland, 1845 to Present (2007). Gary A. Boyd is Reader in Architecture at Queen’s University, Belfast. His first book, Dublin 1745–1922: Hospitals, Spectacle and Vice (2006), looked at the relationship between a series of medical institutions and the devel- opment of city and society in early modern Dublin. Other publications include esssays on literature and the city; the architecture of infrastructure; housing design and its histories; and a book, Ordnance: War + Architecture & Space (co-edited with Denis Linehan). In 2013, with John McLaughlin, he was selected as co-commissioner and co-curator of the Irish pavilion for the 14th International Architecture Biennale, Venice 2014. Justin Carville lectures in Historical and Theoretical Studies in Photography and Visual Culture Studies at the Institute of Art, Design and Technology, Dun Laoghaire. A former Government of Ireland Senior Research Scholar in the Humanities and Social Sciences (2003–2004) and an IRCHSS Research Fellow (2008–2009), he has published widely on Irish photography and...
You are not authenticated to view the full text of this chapter or article.
This site requires a subscription or purchase to access the full text of books or journals.
Do you have any questions? Contact us.Or login to access all content.