The book adopts a predominantly conceptual approach, situating contemporary Greek-Cypriot cinema within a specific cultural and national context. Drawing on the work of the French philosopher Gilles Deleuze, and particularly his theories of time and space, the author explores ways in which Greek-Cypriot directors invent new forms of imagery as a way of dealing with the crisis of history, the burden of memory and the dislocation of the island’s abandoned spaces.
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—— The Spectre of Comparisons: Nationalism, Southeast Asia and the World (London: Verso, 2002).
Augé, Marc, Non-Places: Introduction to an Anthropology of Supermodernity (London and New York: Verso, 2006).
Bachelard, Gaston, The Poetics of Space: The Classic Look At How We Experience Intimate Places, tr. Maria Jolas (Boston, MA: Beacon Press, 1994).
Bakhtin, Mikhail, Rabelais and His World, tr. Héléne Iswolsky (Bloomington: Indiana University Press, 1984).
Barthes, Roland, Camera Lucida: Reflections on Photography (London: Vintage Books, 2000).
Bazin, Andre, What is Cinema? Vol. 1 (Berkeley: University of California Press, 2005).
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