Staging Interactive Encounters
The essays present both academic research as well as case studies of curatorial projects that have pushed the boundaries of the art historical practice. The authors come from a wide range of backgrounds, ranging from curators and art producers to academics and practising artists. They ask what it means to present, curate and create interdisciplinary performative work for gallery spaces and offer cutting-edge research that explores the intricate relationship between art history, live and performing arts, and museum and gallery space.
Part III Curating Participation in the Gallery: Case Studies
← 172 | 173 → PART III
Curating Participation in the Gallery: Case Studies← 173 | 174 →
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