Notes on the Contributors
EVA AXER, Postdoctoral Researcher, Centre for Literary and Cultural Research (ZfL, Berlin, Germany): DFG-Project “Zeit und Form im Wandel: Goethes Morphologie und ihr Nachleben in der Theoriebildung des 20. Jahrhundert”; Dr phil Bonn 2010 (Eros und Aura. Denkfiguren zwischen Philosophie und Literatur in Walter Benjamins “Einbahnstraße” und “Berliner Kindheit”, 2012), Postdoctoral fellow of the Alexander von Humboldt-Foundation (University of Nottingham, UK, 2012–14). Publications on genre and politics of memory in German literature, oral media and the ballad genre. Publications include “Der ‘Geist der Volkslied-Formen’. Heine zur Frage der Echtheit des Volkslieds”, in: Weimarer Beiträge 2014.1; “‘Effusions of Nature’ – ‘Samenkörner der Nation’. The Politics of Memory in Percy’s ‘Reliques’ and Herder’s ‘Volkslieder’”, in: German Life and Letters 66.4 (October 2013).
ULRICH E. BACH, Associate Professor of German, Texas State University. He received his PhD from UCLA in 2004 and has published on literary and exile studies at the turn of the twentieth century, as well as post-war European cinema. His monograph Tropics of Vienna: Austrian Colonial Utopias 1870–1900 was published in 2015.
JEROME CARROLL, Lecturer in German, University of Nottingham (UK); PhD Nottingham 2004 (Art at the Limits of Perception: The Aesthetic Theory of Wolfgang Welsch, 2006). Publications on German history of ideas, philosophical anthropology, aesthetics and modern German theatre. Further publications include Postdramatic Theatre and the Political (co-ed., 2013), and articles on recent German theatre (Handke, Müller, Heckmanns, Palmetshofer) and history of ideas (Herder, Heidegger, Hans Blumenberg, Charles...
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