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Staging the Other in Nineteenth-Century British Drama

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Edited By Tiziana Morosetti

The body of the «Other» – exotic, unfamiliar, fascinating – is the topic of this collection of essays on nineteenth-century British theatre. Arranged chronologically, the volume traces visual representations of the Other across the nineteenth century as well as their legacy in contemporary theatrical culture. Essays explore the concept, politics and aesthetic features of the «exotic» body on stage, be it the actual body of the actor or actress, or the fictional, «picturesque» bodies brought on stage.
Far from focusing exclusively on the subaltern, colonial subject, this volume addresses the Other in its wider meaning, focusing on case studies as famous as Edwin Forrest and Ira Aldridge or as neglected as that of the Māori who appeared on the London stage in the 1860s. Written by an international group of scholars, this collection offers an informed, updated insight into the extensive and multifaceted presence of the non-British in both Georgian and Victorian drama, investigated through new lenses and materials to shed light on the complex engagement of nineteenth-century British culture with alterity.
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Bibliographic information published by Die Deutsche Nationalbibliothek. Die Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data is available on the Internet at http://dnb.d-nb.de.

A catalogue record for this book is available from the British Library.

Library of Congress Control Number: 2015952197

Cover image: Detail from a hand-coloured lithograph from the title page of The Will and The Way, Purkess’s Penny Pictorial Plays, no.21. Courtesy of the Special Collections and Archives, Templeman Library, University of Kent, Canterbury, UK.

ISSN 2235-2287 ISBN 978-3-0343-1928-7 (print) ISBN 978-3-0353-0777-1 (eBook)

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