Supports et acteurs de la création texte/image (XXe–XXIe siècles) / Materials and Agents of the Text/Image Creation (20th–21th Centuries)
Edited By Isabelle Chol and Jean Khalfa
The heart of the reflection in this book is the diversity of aesthetic possibilities of the book as material support, from the late nineteenth century to contemporary experiments. The page, the sheet and the book go well beyond the codex and the bound book, in the heterogeneity of their materials, forms and formats (fans, leporellos, poster collections, upright books, book sculptures, exploded books, electronic books, etc.): they are active supports in the design and reception process. This book observes the process of composition and distribution of works in their material singularities, including the role of the different stakeholders in the design of the book, not only the writer and the artist but also the typographer, bookbinder, publisher or gallery owner, each playing a multiplicity of roles. Such porous borders between roles and crafts generate porosity between the literary and artistic genres.
Titres de la collection
edited by Peter Collier
‘European Connections’ is a series which aims to publish studies in Comparative Literature. Most scholars would agree that no literary work or genre can fruitfully be studied in isolation from its context (whether formal or cultural). Nearly all literary works and genres arise in response to or at least in awareness of previous and contemporary writing, and are often illuminated by confrontation with neighbouring or contrasting works. The literature of Europe, in particular, is extraordinarily rich in this kind of cross‑cultural fertilisation (one thinks of medieval drama, Romantic poetry, or the Realist novel, for instance). On a wider stage, the major currents of European philosophy and art have affected the different national literatures in varying and fascinating ways. Many European and North American university courses in literature nowadays teach and research literature in faculties of Comparative and General Literature. The series intends to tap the rich vein of such research.
Offers of contribution are invited, whether studies of specific writers and relationships, or wider theoretical investigations. Proposals from established scholars, as well as more recent doctoral students, are welcome.
The series editor, Peter Collier, is Emeritus Fellow in French at Sidney Sussex College, University of Cambridge. He has translated Emile Zola (Germinal, Oxford World’s Classics, 1993), and Marcel Proust (The Fugitive, Penguin, 2002), has edited several collections of essays on European literature and culture, including Critical Theory Today, with Helga Geyer-Ryan (Polity Press & Cornell...
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