This collected volume investigates what is at stake in boxing in the modern world by exploring different aspects of boxing culture and problematic concepts attached to the sport such as masculinity and violence. This approach implies input from different academic and creative disciplines including aesthetics, cultural studies, creative writing, anthropology, history, literature and sociology. The points of view of participants in boxing as a sport, amateur and professional, will also be incorporated. In this way, themes as different as what it feels like to receive a punch on the nose or the role of fist-fighting in traditional Russian folk customs will be explored.
About the editor(s)
David Scott holds a personal chair in French (Textual & Visual Studies) at Trinity College Dublin. A middleweight amateur boxer, he has explored his experience of boxing in terms both of creative writing (The Aura of Boxing, 2014) and academic study (The Art and Aesthetics of Boxing, 2009). His interest in the representation of boxing in writing, the visual arts and in design reflects his wider academic and creative interests which include literature, painting, semiotics and textual/visual studies, around which subjects he has organised a number of exhibitions and on which he has published many books. He is currently working on a collection of short stories entitled Boxing Rings.
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