De la genèse de la langue à Internet
Variations dans les formes, les modalités et les langues en contact
Series:
Edited By Michael Abecassis and Gudrun Ledegen
Titres de la collection
Modern French Identities
Edited by Peter Collier
This series aims to publish monographs, editions or collections of papers based on recent research into modern French Literature. It welcomes contributions from academics, researchers and writers in British and Irish universities in particular.
Modern French Identities focuses on the French and Francophone writing of the twentieth century, whose formal experiments and revisions of genre have combined to create an entirely new set of literary forms, from the thematic autobiographies of Michel Leiris and Bernard Noël to the magic realism of French Caribbean writers.
The idea that identities are constructed rather than found, and that the self is an area to explore rather than a given pretext, runs through much of modern French literature, from Proust, Gide and Apollinaire to Kristeva, Barthes, Duras, Germain and Roubaud.
This series reflects a concern to explore the turn-of-the-century turmoil in ideas and values that is expressed in the works of theorists like Lacan, Irigaray and Bourdieu and to follow through the impact of current ideologies such as feminism and postmodernism on the literary and cultural interpretation and presentation of the self, whether in terms of psychoanalytic theory, gender, autobiography, cinema, fiction and poetry, or in newer forms like performance art.
The series publishes studies of individual authors and artists, comparative studies, and interdisciplinary projects, including those where art and cinema intersect with literature.
Volume 1 | Victoria Best & Peter Collier (eds): Powerful Bodies. |
Volume 2 | Julia Waters: Intersexual Rivalry. |
Volume 3 | Sarah Cooper: Relating to Queer Theory. |
Volume 4 | Julia Prest & Hannah Thompson (eds): Corporeal Practices. |
Volume 5 | Victoria Best: Critical Subjectivities. |
Volume 6 | David Houston Jones: The Body Abject: Self and Text in |
Volume 7 | Robin MacKenzie: The Unconscious in Proust’s A la recherche |
Volume 8 | Rosemary Chapman: Siting the Quebec Novel. |
Volume 9 | Gill Rye: Reading for Change. |
Volume 10 | Jonathan Paul Murphy: Proust’s Art. |
Volume 11 | Julia Dobson: Hélène Cixous and the Theatre. |
Volume 12 | Emily Butterworth & Kathryn Robson (eds): Shifting Borders. |
Volume 13 | Victoria Korzeniowska: The Heroine as Social Redeemer in |
Volume 14 | Kay Chadwick: Alphonse de Châteaubriant: |
Volume 15 | Nina Bastin: Queneau’s Fictional Worlds. |
Volume 16 | Sarah Fishwick: The Body in the Work of Simone de Beauvoir. |
Volume 17 | Simon Kemp & Libby Saxton (eds): Seeing Things. |
Volume 18 | Kamal Salhi (ed.): French in and out of France. |
Volume 19 | Genevieve Shepherd: Simone de Beauvoir’s Fiction. |
Volume 20 | Lucille Cairns (ed.): Gay and Lesbian Cultures in France. |
Volume 21 | Wendy Goolcharan-Kumeta: My Mother, My Country. |
Volume 22 | Patricia O’Flaherty: Henry de Montherlant (1895–1972). |
Volume 23 | Katherine Ashley (ed.): Prix Goncourt, 1903–2003: essais critiques. |
Volume 24 | Julia Horn & Lynsey Russell-Watts (eds): Possessions. |
Volume 25 | Steve Wharton: Screening Reality. |
Volume 26 | Frédéric Royall (ed.): Contemporary French Cultures and Societies. |
Volume 27 | Tom Genrich: Authentic Fictions. |
Volume 28 | Maeve Conrick & Vera Regan: French in Canada. |
Volume 29 | Kathryn Banks & Joseph Harris (eds): Exposure. |
Volume 30 | Emma Gilby & Katja Haustein (eds): Space. |
Volume 31 | Rachel Killick (ed.): Uncertain Relations. |
Volume 32 | Sarah F. Donachie & Kim Harrison (eds): Love and Sexuality. |
Volume 33 | Michaël Abecassis: The Representation of Parisian Speech in the Cinema of the 1930s. |
Volume 34 | Benedict O’Donohoe: Sartre’s Theatre: Acts for Life. |
Volume 35 | Moya Longstaffe: The Fiction of Albert Camus. A Complex Simplicity. |
Volume 36 | Arnaud Beaujeu: Matière et lumière dans le théâtre de Samuel Beckett: Autour des notions de trivialité, de spiritualité et d’« autre-là». |
Volume 37 | Shirley Ann Jordan: Contemporary French Women’s Writing: |
Volume 38 | Neil Foxlee: Albert Camus’s ‘The New Mediterranean Culture’: |
Volume 39 | Michael O’Dwyer & Michèle Raclot: Le Journal de Julien Green: |
Volume 40 | Thomas Baldwin: The Material Object in the Work of Marcel Proust. |
Volume 41 | Charles Forsdick & Andrew Stafford (eds): The Modern Essay |
Volume 42 | Peter Dunwoodie: Francophone Writing in Transition. |
Volume 43 | Emma Webb (ed.): Marie Cardinal: New Perspectives. |
Volume 44 | Jérôme Game (ed.): Porous Boundaries: Texts and Images in |
Volume 45 | David Gascoigne: The Games of Fiction: Georges Perec and Modern |
Volume 46 | Derek O’Regan: Postcolonial Echoes and Evocations: |
Volume 47 | Jennifer Hatte: La langue secrète de Jean Cocteau: la mythologie |
Volume 48 | Loraine Day: Writing Shame and Desire: The Work of Annie Ernaux. |
Volume 49 | John Flower (éd.): François Mauriac, journaliste: les vingt premières années, 1905–1925. |
Volume 50 | Miriam Heywood: Modernist Visions: Marcel Proust’s A la recherche du temps perdu and Jean-Luc Godard’s Histoire(s) du cinéma. |
Volume 51 | Isabelle McNeill & Bradley Stephens (eds): Transmissions: |
Volume 52 | Marie-Christine Lala: Georges Bataille, Poète du réel. |
Volume 53 | Patrick Crowley: Pierre Michon: The Afterlife of Names. |
Volume 54 | Nicole Thatcher & Ethel Tolansky (eds): Six Authors in Captivity. |
Volume 55 | Catherine Dousteyssier-Khoze & Floriane Place-Verghnes (eds): |
Volume 56 | Thanh-Vân Ton-That: Proust avant la Recherche: jeunesse et genèse d’une écriture au tournant du siècle. |
Volume 57 | Helen Vassallo: Jeanne Hyvrard, Wounded Witness: |
Volume 58 | Marie-Claire Barnet, Eric Robertson and Nigel Saint (eds): |
Volume 59 | Michael O’Dwyer (ed.): Julien Green, Diariste et Essayiste. |
Volume 60 | Kate Marsh: Fictions of 1947: Representations of Indian |
Volume 61 | Lucy Bolton, Gerri Kimber, Ann Lewis and Michael Seabrook (eds): Framed!: Essays in French Studies. |
Volume 62 | Lorna Milne and Mary Orr (eds): Narratives of French Modernity: Themes, Forms and Metamorphoses. Essays in Honour of David Gascoigne. |
Volume 63 | Ann Kennedy Smith: Painted Poetry: Colour in Baudelaire’s Art Criticism. |
Volume 64 | Sam Coombes: The Early Sartre and Marxism. |
Volume 65 | Claire Lozier: De l’abject et du sublime: Georges Bataille, Jean Genet, Samuel Beckett. |
Volume 66 | Charles Forsdick and Andy Stafford (eds): La Revue: The Twentieth- Century Periodical in French. |
Volume 67 | Alison S. Fell (ed.): French and francophone women facing war / |
Volume 68 | Elizabeth Lindley and Laura McMahon (eds): |
Volume 69 | Georgina Evans and Adam Kay (eds): Threat: Essays in French |
Volume 70 | John McCann: Michel Houellebecq: Author of our Times. |
Volume 71 | Jenny Murray: Remembering the (Post)Colonial Self: |
Volume 72 | Susan Bainbrigge: Culture and Identity in Belgian Francophone |
Volume 73 | Maggie Allison and Angela Kershaw (eds): Parcours de femmes: Twenty Years of Women in French. |
Volume 74 | Jérôme Game: Poetic Becomings: Studies in Contemporary French Literature. |
Volume 75 | Elodie Laügt: L’Orient du signe: Rêves et dérives chez Victor Segalen, Henri Michaux et Emile Cioran. |
Volume 76 | Suzanne Dow: Madness in Twentieth-Century French Women’s |
Volume 77 | Myriem El Maïzi: Marguerite Duras ou l’écriture du devenir. |
Volume 78 | Claire Launchbury: Music, Poetry, Propaganda: Constructing French |
Volume 79 | Jenny Chamarette and Jennifer Higgins (eds): Guilt and Shame: |
Volume 80 | Vera Regan and Caitríona Ní Chasaide (eds): Language Practices |
Volume 81 | Margaret-Anne Hutton (ed.): Redefining the Real: The Fantastic in Contemporary French and Francophone Women’s Writing. |
Volume 82 | Elise Hugueny-Léger: Annie Ernaux, une poétique de la |
Volume 83 | Peter Collier, Anna Magdalena Elsner and Olga Smith (eds): |
Volume 84 | Adam Watt (ed./éd.): Le Temps retrouvé Eighty Years After/80 ans après: Critical Essays/Essais critiques. |
Volume 85 | Louise Hardwick (ed.): New Approaches to Crime in French Literature, Culture and Film. |
Volume 86 | Emmanuel Godin and Natalya Vince (eds): France and the Mediterranean: International Relations, Culture and Politics. |
Volume 87 | Amaleena Damlé and Aurélie L’Hostis (eds): The Beautiful and the Monstrous: Essays in French Literature, Thought and Culture. |
Volume 88 | Alistair Rolls (ed.): Mostly French: French (in) Detective Fiction. |
Volume 89 | Bérénice Bonhomme: Claude Simon: une écriture en cinéma. |
Volume 90 | Barbara Lebrun and Jill Lovecy (eds): Une et divisible? Plural Identities in Modern France. |
Volume 91 | Pierre-Alexis Mével & Helen Tattam (eds): Language and its Contexts/ Le Langage et ses contextes: Transposition and Transformation of Meaning?/ Transposition et transformation du sens ? |
Volume 92 | Alistair Rolls and Marie-Laure Vuaille-Barcan (eds): Masking Strategies: Unwrapping the French Paratext. |
Volume 93 | Michaël Abecassis et Gudrun Ledegen (éds): Les Voix des Français Volume 1: à travers l’histoire, l’école et la presse. |
Volume 94 | Michaël Abecassis et Gudrun Ledegen (éds): Les Voix des Français Volume 2: en parlant, en écrivant. |
Volume 95 | Manon Mathias, Maria O’Sullivan and Ruth Vorstman (eds): Display and Disguise. |
Volume 96 | Charlotte Baker: Enduring Negativity: Representations of Albinism in the Novels of Didier Destremau, Patrick Grainville and Williams Sassine. |
Volume 97 | Florian Grandena and Cristina Johnston (eds): New Queer Images: Representations of Homosexualities in Contemporary Francophone Visual Cultures. |
Volume 98 | Florian Grandena and Cristina Johnston (eds): Cinematic Queerness: |
Volume 99 | Neil Archer and Andreea Weisl-Shaw (eds): Adaptation: Studies in French and Francophone Culture. |
Volume 100 | Peter Collier et Ilda Tomas (éds): Béatrice Bonhomme: le mot, la mort, l’amour. |
Volume 101 | Helena Chadderton: Marie Darrieussecq’s Textual Worlds: Self, Society, Language. |
Volume 102 | Manuel Bragança: La crise allemande du roman français, 1945–1949: |
Volume 103 | Bronwen Martin: The Fiction of J. M. G. Le Clézio: A Postcolonial Reading. |
Volume 104 | Hugues Azérad, Michael G. Kelly, Nina Parish et Emma Wagstaff (éds): |
Volume 105 | Franck Dalmas: Lectures phénoménologiques en littérature française: de Gustave Flaubert à Malika Mokeddem. |
Volume 106 | Béatrice Bonhomme, Aude Préta-de Beaufort et Jacques Moulin (éds): |
Volume 107 | Claire Bisdorff et Marie-Christine Clemente (éds): Le Coeur dans tous ses états: essais sur la littérature et l’art français. |
Volume 108 | Michaël Abecassis et Gudrun Ledegen (éds): Écarts et apports des |
Volume 109 | Maggie Allison and Imogen Long (eds): Women Matter / Femmes |
Volume 110 | Fabien Arribert-Narce et Alain Ausoni (éds): L’Autobiographie entre |
Volume 111 | Leona Archer and Alex Stuart (eds): Visions of Apocalypse: |
Volume 112 | Simona Cutcan: Subversion ou conformisme? La différence des sexes dans l’oeuvre d’Agota Kristof. |
Volume 113 | Owen Heathcote: From Bad Boys to New Men? Masculinity, Sexuality and Violence in the Work of Éric Jourdan. |
Volume 114 | Ilda Tomas: Arc-en-ciel: études sur divers poètes. |
Volume 115 | Lisa Jeschke and Adrian May (eds): Matters of Time: Material Temporalities in Twentieth-Century French Culture. |
Volume 116 | Crispin T. Lee: Haptic Experience in the Writings of Georges Bataille, Maurice Blanchot and Michel Serres. |
Volume 117 | Ashwiny O. Kistnareddy: Locating Hybridity: Creole, Identities and Body Politics in the Novels of Ananda Devi. |
Volume 118 | Michaël Abecassis et Gudrun Ledegen (éds): De la genèse de la langue à Internet: variations dans les formes, les modalités et les langues en contact. |