The Film Music and Composers of Postwar French Art Cinema
Listening to the French New Wave offers the first detailed study of the music and composers of French New Wave cinema, arguing for the need to re-hear and thus reassess this important period in film history. Combining an ethnographic approach with textual and score-based analysis, the author challenges the idea of the New Wave as revolutionary in all its facets by revealing traditional approaches to music in many canonical New Wave films. However, musical innovation does have its place in the New Wave, particularly in the films of the marginalised Left Bank group. The author ultimately brings to light those few collaborations that engaged with the ideology of adopting contemporary music practices for a contemporary medium.
Drawing on archival material and interviews with New Wave composers, this book re-tells the story of the French New Wave from the perspective of its music.
Abel, Richard. Silent Film. 1996. Reprint. London: Athlone Press, 1999.
Adorno, Theodor W., and Hanns Eisler. Composing for the Films. 1947. Reprint, London: Athlone Press, 1994.
Aguila, Jésus. Le Domaine musical: Pierre Boulez et vingt ans de création contemporaine. Paris: Fayard, 1992.
Albright, Daniel, ed. Modernism and Music: An Anthology. Chicago: Chicago University Press, 2004.
Alter, Nora M. Chris Marker. Champaign: University of Illinois Press, 2006.
Aumont, Jacques, Jean-Louis Comolli, Jean Narboni, and Sylvie Pierre. ‘Le temps déborde: Entretien avec Jacques Rivette’. Cahiers du cinéma 204 (September 1968): 6–21.
de Baecque, Antoine. La cinéphilie: Invention d’un regard, histoire d’une culture 1944–1968. Paris: Fayard, 2003.
——. Godard: Biographie. Paris: Grasset, 2010.
You are not authenticated to view the full text of this chapter or article.
This site requires a subscription or purchase to access the full text of books or journals.
Do you have any questions? Contact us.Or login to access all content.