An Analysis of Wojciech Jerzy Has’s Movie
The book features a detailed analysis and interpretation of «The Saragossa Manuscript» (1964) by Wojciech Jerzy Has. The interpretative key is the director’s reference to the aesthetics of various art trends, starting with baroque, through romanticism, symbolism, surrealism and the culture of Orient. The artistic references named here which to a high degree can be brought down to quotations and hints (the composition of stop-frames referring to the style of a given painter or an art trend) are to a large extent the consequence of having been adapted by a particular novel (Jan Potocki). Notwithstanding, also this time Has stigmatised the project with his own style by referring to the aesthetics of surrealism which was alien to the literary prototype.
About the Author
Iwona Grodź received her doctorate from the Department of Film, Television and New Media of Adam Mickiewicz University in Poznań (Poland). Her research interests include literature, film, visual arts (paintings and photography), new media and music.
ORCID ID – https://orcid.org/0000-0003-0151-6909
You are not authenticated to view the full text of this chapter or article.
This site requires a subscription or purchase to access the full text of books or journals.
Do you have any questions? Contact us.Or login to access all content.