Show Less

Existence, Sense and Values. Essays in Metaphysics and Phenomenology

Edited by Sebastian Tomasz Kołodziejczyk


Sebastian Kołodziejczyk

This collection of essays is about some of the most fundamental issues connected with metaphysics, theory of values and philosophy of man. In the first part of the book, the author is trying to answer questions concerning both the methodological status of metaphysics and the main subject-matter of metaphysical investigations. He convincingly argues that metaphysics is an indispensable domain of research that may help us to understand the world and what we experience in much better manner. In the next part, the author draws our attention to the problem of existence and the ways we experience it. The question on existence is definitely the central issue of this entire volume, also in the next two parts of the book where the author focuses on values, their origins and status as well as their relationship to human nature. What is particularly intriguing about this collection of essays is its unique and fruitful combination of different methodologies and traditions in one rich and persuasive picture of the most basic philosophical problems.


Show Summary Details
Restricted access

Part III Towards a Theory of Values


On the Concepts of Beauty “For recently, my most excellent friend, as I was finding fault with some things in certain speeches as ugly and praising other things as beautiful, a man threw me into confusion by questioning me very insolently somewhat after this fashion: “How, if you please, do you know, Socrates,” said he, [286d] “what sort of things are beautiful and ugly? For, come now, could you tell me what the beautiful is?” (Plato, Greater Hippias, translated by W.R.M. Lamb) “Therefore do not rely upon this argument, which would go to prove the unity of the most extreme opposites.” (Plato, Philebus, translated by B. Jowett, M.A) The term “beauty” usually appears to us as a name of a fairly homogenously described or – to put it more carefully – homogenously “sensed” value. However, when we attempt to resolve certain traditional problems of aesthetics, asking, in particular, what the essential features of beauty are or what it actually is, it turns out that this semantic homogeneity is merely apparent, and at a closer analysis the word “beauty” itself breaks into several senses, which are sometimes related to one another and sometimes completely different and extremely distant from each other. At least since the 18th century thinkers have realized that in aesthetics we use not one, but two aesthetic values. I am referring to beauty and sublimity, which were probably first indicated by Edmund Burke, and which were later included by Kant in his theory of aesthetics. As a result of the...

You are not authenticated to view the full text of this chapter or article.

This site requires a subscription or purchase to access the full text of books or journals.

Do you have any questions? Contact us.

Or login to access all content.