IMAGES (V) – Images of (Cultural) Values
The Conference Proceedings
Edited By Veronika Bernard
Book (EPUB)
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- 978-3-653-95841-6
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- Frankfurt am Main, Berlin, Bern, Bruxelles, New York, Oxford, Wien, 2016. 199 pp., 14 b/w fig.
- Cover
- Title
- Copyright
- About the author(s)/editor(s)
- About the book
- This eBook can be cited
- Contents
- Introductory Section
- Veronika Bernard (Innsbruck and Kufstein/Austria) - The IMAGES Project
- Veronika Bernard (Innsbruck and Kufstein/Austria) - Introduction
- General Aspects
- Keti Shehu (Tirana/Albania)/Ambra Pittoni (Turin/Italy) - Responsibility and Economy of Images
- Images of (Cultural) Values in the Arts
- Sibel Almelek İşman (Izmir/Turkey) - The Vanitas: Moral Values in European Art
- Jutta Teuwsen (Düsseldorf/Germany) - Contemporary Japanese Arts: Religion and Technology in the Illustrations of Nature
- Cinla Şeker (Izmir/Turkey) - Anatolian Folk Music Album Cover Images at the Beginning of the Third Millenium
- Images of (Cultural) Values in Film
- Ömer Alkın (Düsseldorf/Germany) - Making Cultural Values Visible in Early Turkish-German Cinema
- Images of (Cultural) Values in Popular Culture
- Simonetta Milli Konewko (Milwaukee, USA) - Images of Work in Collodi’s Pinocchio
- Selma Mokrani Barkaoui (Annaba/Algeria) - “The Gift of the Stranger”: Elkader as a Cultural Utopia
- Roberta Matkovic (Pula/Croatia)/Tanja Habrle (Pula/Croatia) - The Figure of the Mother
- Images of (Cultural) Values in Public Space
- Nerma Cridge (London/UK) - From Trivial to Extremely Serious: We Don’t Even Own Public Space Images Anymore
- Adriana De Angelis (Naples/Italy) - Skyscrapers – Strong Images of Culture and Art; Globalized
- Veronika Bernard (Innsbruck and Kufstein/Austria) - Istanbul’s İstiklal Caddesi Graffiti: Young Istanbul Sprayer Art Doing the Cat-Walk, and Testing Cultural Values
- The Ethnic and Images of (Cultural) Values
- Rubén Gregori (Valencia/Spain) - The Conversion of the Old Testament Patriarchs: The Image of Jewish Conversos in the Lands of the Crown of Aragon (14th–16th Centuries)
- Itzea Goicolea-Amiano (Florence/Italy) - Ambivalent Images of Otherness(es) in the War and the Spanish Occupation of Tetouan (1859–1862)
- Miloud Barkaoui (Annaba/Algeria) - The Case of Quartier Belsunce in Marseilles: of Maghrebi Immigration, Duality of Image, and Conflicting Cultural Values in France
- Images of (Cultural) Values in Literature
- Mirjana Marinkovic (Belgrade/Serbia) - Images of Cultural Values in the Novel A Strangeness in My Mind by Orhan Pamuk
- Neval Berber (Passau/Germany) - “Interesting to be Seen and Experienced”: Some Aspects of Modern Tourist Discourse in George Walter Thornbury’s Accounts on Turkey and the Turks
- Gönül Bakay (Istanbul/Turkey) - Representations of “the Primitive” in Things Fall Apart and Death and King’s Horseman
- Rear Matter
- The Editor
- Contributors
- Cover
- Title
- Copyright
- About the author(s)/editor(s)
- About the book
- This eBook can be cited
- Contents
- Introductory Section
- Veronika Bernard (Innsbruck and Kufstein/Austria) - The IMAGES Project
- Veronika Bernard (Innsbruck and Kufstein/Austria) - Introduction
- General Aspects
- Keti Shehu (Tirana/Albania)/Ambra Pittoni (Turin/Italy) - Responsibility and Economy of Images
- Images of (Cultural) Values in the Arts
- Sibel Almelek İşman (Izmir/Turkey) - The Vanitas: Moral Values in European Art
- Jutta Teuwsen (Düsseldorf/Germany) - Contemporary Japanese Arts: Religion and Technology in the Illustrations of Nature
- Cinla Şeker (Izmir/Turkey) - Anatolian Folk Music Album Cover Images at the Beginning of the Third Millenium
- Images of (Cultural) Values in Film
- Ömer Alkın (Düsseldorf/Germany) - Making Cultural Values Visible in Early Turkish-German Cinema
- Images of (Cultural) Values in Popular Culture
- Simonetta Milli Konewko (Milwaukee, USA) - Images of Work in Collodi’s Pinocchio
- Selma Mokrani Barkaoui (Annaba/Algeria) - “The Gift of the Stranger”: Elkader as a Cultural Utopia
- Roberta Matkovic (Pula/Croatia)/Tanja Habrle (Pula/Croatia) - The Figure of the Mother
- Images of (Cultural) Values in Public Space
- Nerma Cridge (London/UK) - From Trivial to Extremely Serious: We Don’t Even Own Public Space Images Anymore
- Adriana De Angelis (Naples/Italy) - Skyscrapers – Strong Images of Culture and Art; Globalized
- Veronika Bernard (Innsbruck and Kufstein/Austria) - Istanbul’s İstiklal Caddesi Graffiti: Young Istanbul Sprayer Art Doing the Cat-Walk, and Testing Cultural Values
- The Ethnic and Images of (Cultural) Values
- Rubén Gregori (Valencia/Spain) - The Conversion of the Old Testament Patriarchs: The Image of Jewish Conversos in the Lands of the Crown of Aragon (14th–16th Centuries)
- Itzea Goicolea-Amiano (Florence/Italy) - Ambivalent Images of Otherness(es) in the War and the Spanish Occupation of Tetouan (1859–1862)
- Miloud Barkaoui (Annaba/Algeria) - The Case of Quartier Belsunce in Marseilles: of Maghrebi Immigration, Duality of Image, and Conflicting Cultural Values in France
- Images of (Cultural) Values in Literature
- Mirjana Marinkovic (Belgrade/Serbia) - Images of Cultural Values in the Novel A Strangeness in My Mind by Orhan Pamuk
- Neval Berber (Passau/Germany) - “Interesting to be Seen and Experienced”: Some Aspects of Modern Tourist Discourse in George Walter Thornbury’s Accounts on Turkey and the Turks
- Gönül Bakay (Istanbul/Turkey) - Representations of “the Primitive” in Things Fall Apart and Death and King’s Horseman
- Rear Matter
- The Editor
- Contributors
Contributors
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Extract
Ömer Alkın is as a lecturer for film and visual culture at the University of Düsseldorf. He has worked as assistant director and script consultant for feature and short films. His research interests are Turkish-German cinema, the visual culture of migration and eco-cinema. E-mail: oemer.alkin@hhu.de
Sibel Almelek İşman is Assistant Professor at Dokuz Eylül University, Buca Faculty of Education in Izmir/Turkey. Her research interests are European art (Renaissance – 20th century), Greek and Roman mythologies, and iconography. E-mail: almelek14@hotmail.com
Gönül Bakay (PhD) is an Associate Professor at Bahçeşehir University in Istanbul/Turkey. Her fields of interest are Women’s studies and English literature from 18th century to present. E-mail: gonulbakay@gmail.com
Miloud Barkaoui (PhD) is Dean of the Faculty of Letters, Human and Social Sciences at Badji Mokhtar-Annaba University and director of the LECUCRA Laboratory. His research includes American Studies, Culture, and (im)migration. E-mail: miloudbarkaoui@hotmail.com
Neval Berber is a DAAD Postdoctoral Fellow in English Studies at the University of Regensburg. Her research interest is the Balkans in 19th and 20th century English literature. E-mail: nevalberber168@gmail.com
Nerma Cridge (PhD) teaches in the History and Theory department at the Architectural Association in London. She has taught at the Universities of Greenwich, Birmingham, London Met, Central Saint Martins and Hong Kong. She runs the Drawing Agency. E-mail: nerma@drawingagency.co.uk
Adriana De Angelis (PhD) has worked for the Cité de l’Architecture...
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Or login to access all content.- Cover
- Title
- Copyright
- About the author(s)/editor(s)
- About the book
- This eBook can be cited
- Contents
- Introductory Section
- Veronika Bernard (Innsbruck and Kufstein/Austria) - The IMAGES Project
- Veronika Bernard (Innsbruck and Kufstein/Austria) - Introduction
- General Aspects
- Keti Shehu (Tirana/Albania)/Ambra Pittoni (Turin/Italy) - Responsibility and Economy of Images
- Images of (Cultural) Values in the Arts
- Sibel Almelek İşman (Izmir/Turkey) - The Vanitas: Moral Values in European Art
- Jutta Teuwsen (Düsseldorf/Germany) - Contemporary Japanese Arts: Religion and Technology in the Illustrations of Nature
- Cinla Şeker (Izmir/Turkey) - Anatolian Folk Music Album Cover Images at the Beginning of the Third Millenium
- Images of (Cultural) Values in Film
- Ömer Alkın (Düsseldorf/Germany) - Making Cultural Values Visible in Early Turkish-German Cinema
- Images of (Cultural) Values in Popular Culture
- Simonetta Milli Konewko (Milwaukee, USA) - Images of Work in Collodi’s Pinocchio
- Selma Mokrani Barkaoui (Annaba/Algeria) - “The Gift of the Stranger”: Elkader as a Cultural Utopia
- Roberta Matkovic (Pula/Croatia)/Tanja Habrle (Pula/Croatia) - The Figure of the Mother
- Images of (Cultural) Values in Public Space
- Nerma Cridge (London/UK) - From Trivial to Extremely Serious: We Don’t Even Own Public Space Images Anymore
- Adriana De Angelis (Naples/Italy) - Skyscrapers – Strong Images of Culture and Art; Globalized
- Veronika Bernard (Innsbruck and Kufstein/Austria) - Istanbul’s İstiklal Caddesi Graffiti: Young Istanbul Sprayer Art Doing the Cat-Walk, and Testing Cultural Values
- The Ethnic and Images of (Cultural) Values
- Rubén Gregori (Valencia/Spain) - The Conversion of the Old Testament Patriarchs: The Image of Jewish Conversos in the Lands of the Crown of Aragon (14th–16th Centuries)
- Itzea Goicolea-Amiano (Florence/Italy) - Ambivalent Images of Otherness(es) in the War and the Spanish Occupation of Tetouan (1859–1862)
- Miloud Barkaoui (Annaba/Algeria) - The Case of Quartier Belsunce in Marseilles: of Maghrebi Immigration, Duality of Image, and Conflicting Cultural Values in France
- Images of (Cultural) Values in Literature
- Mirjana Marinkovic (Belgrade/Serbia) - Images of Cultural Values in the Novel A Strangeness in My Mind by Orhan Pamuk
- Neval Berber (Passau/Germany) - “Interesting to be Seen and Experienced”: Some Aspects of Modern Tourist Discourse in George Walter Thornbury’s Accounts on Turkey and the Turks
- Gönül Bakay (Istanbul/Turkey) - Representations of “the Primitive” in Things Fall Apart and Death and King’s Horseman
- Rear Matter
- The Editor
- Contributors
- Cover
- Title
- Copyright
- About the author(s)/editor(s)
- About the book
- This eBook can be cited
- Contents
- Introductory Section
- Veronika Bernard (Innsbruck and Kufstein/Austria) - The IMAGES Project
- Veronika Bernard (Innsbruck and Kufstein/Austria) - Introduction
- General Aspects
- Keti Shehu (Tirana/Albania)/Ambra Pittoni (Turin/Italy) - Responsibility and Economy of Images
- Images of (Cultural) Values in the Arts
- Sibel Almelek İşman (Izmir/Turkey) - The Vanitas: Moral Values in European Art
- Jutta Teuwsen (Düsseldorf/Germany) - Contemporary Japanese Arts: Religion and Technology in the Illustrations of Nature
- Cinla Şeker (Izmir/Turkey) - Anatolian Folk Music Album Cover Images at the Beginning of the Third Millenium
- Images of (Cultural) Values in Film
- Ömer Alkın (Düsseldorf/Germany) - Making Cultural Values Visible in Early Turkish-German Cinema
- Images of (Cultural) Values in Popular Culture
- Simonetta Milli Konewko (Milwaukee, USA) - Images of Work in Collodi’s Pinocchio
- Selma Mokrani Barkaoui (Annaba/Algeria) - “The Gift of the Stranger”: Elkader as a Cultural Utopia
- Roberta Matkovic (Pula/Croatia)/Tanja Habrle (Pula/Croatia) - The Figure of the Mother
- Images of (Cultural) Values in Public Space
- Nerma Cridge (London/UK) - From Trivial to Extremely Serious: We Don’t Even Own Public Space Images Anymore
- Adriana De Angelis (Naples/Italy) - Skyscrapers – Strong Images of Culture and Art; Globalized
- Veronika Bernard (Innsbruck and Kufstein/Austria) - Istanbul’s İstiklal Caddesi Graffiti: Young Istanbul Sprayer Art Doing the Cat-Walk, and Testing Cultural Values
- The Ethnic and Images of (Cultural) Values
- Rubén Gregori (Valencia/Spain) - The Conversion of the Old Testament Patriarchs: The Image of Jewish Conversos in the Lands of the Crown of Aragon (14th–16th Centuries)
- Itzea Goicolea-Amiano (Florence/Italy) - Ambivalent Images of Otherness(es) in the War and the Spanish Occupation of Tetouan (1859–1862)
- Miloud Barkaoui (Annaba/Algeria) - The Case of Quartier Belsunce in Marseilles: of Maghrebi Immigration, Duality of Image, and Conflicting Cultural Values in France
- Images of (Cultural) Values in Literature
- Mirjana Marinkovic (Belgrade/Serbia) - Images of Cultural Values in the Novel A Strangeness in My Mind by Orhan Pamuk
- Neval Berber (Passau/Germany) - “Interesting to be Seen and Experienced”: Some Aspects of Modern Tourist Discourse in George Walter Thornbury’s Accounts on Turkey and the Turks
- Gönül Bakay (Istanbul/Turkey) - Representations of “the Primitive” in Things Fall Apart and Death and King’s Horseman
- Rear Matter
- The Editor
- Contributors