Retail price
CHF** SFr.48.95EURD** €45.95EURA** €46.95EUR* €38.95GBP* £30.95USD* $50.95
Show Less
Redeem Token
Restricted access
IMAGES (V) – Images of (Cultural) Values
The Conference Proceedings
Edited By Veronika Bernard
This collection of articles offers readers a cross-section of current research on contemporary and historical concepts and representations of (cultural) values as documented in popular culture, public space, the arts, works of literature and in ethnic contexts. The contributors to this volume are from the US, Algeria, Germany, Italy, Croatia, Albania, Serbia, Turkey, and Austria. Their very different cultural, ideological, scientific, academic and non-academic perspectives and backgrounds allow insights from many different viewpoints.
Book (EPUB)
- ISBN:
- 978-3-653-95841-6
- Availability:
- Available
- Subjects:
Prices
Currency depends on your shipping address
- Frankfurt am Main, Berlin, Bern, Bruxelles, New York, Oxford, Wien, 2016. 199 pp., 14 b/w fig.
Show Summary Details
Redeem Token
- Cover
- Title
- Copyright
- About the author(s)/editor(s)
- About the book
- This eBook can be cited
- Contents
- Introductory Section
- Veronika Bernard (Innsbruck and Kufstein/Austria) - The IMAGES Project
- Veronika Bernard (Innsbruck and Kufstein/Austria) - Introduction
- General Aspects
- Keti Shehu (Tirana/Albania)/Ambra Pittoni (Turin/Italy) - Responsibility and Economy of Images
- Images of (Cultural) Values in the Arts
- Sibel Almelek İşman (Izmir/Turkey) - The Vanitas: Moral Values in European Art
- Jutta Teuwsen (Düsseldorf/Germany) - Contemporary Japanese Arts: Religion and Technology in the Illustrations of Nature
- Cinla Şeker (Izmir/Turkey) - Anatolian Folk Music Album Cover Images at the Beginning of the Third Millenium
- Images of (Cultural) Values in Film
- Ömer Alkın (Düsseldorf/Germany) - Making Cultural Values Visible in Early Turkish-German Cinema
- Images of (Cultural) Values in Popular Culture
- Simonetta Milli Konewko (Milwaukee, USA) - Images of Work in Collodi’s Pinocchio
- Selma Mokrani Barkaoui (Annaba/Algeria) - “The Gift of the Stranger”: Elkader as a Cultural Utopia
- Roberta Matkovic (Pula/Croatia)/Tanja Habrle (Pula/Croatia) - The Figure of the Mother
- Images of (Cultural) Values in Public Space
- Nerma Cridge (London/UK) - From Trivial to Extremely Serious: We Don’t Even Own Public Space Images Anymore
- Adriana De Angelis (Naples/Italy) - Skyscrapers – Strong Images of Culture and Art; Globalized
- Veronika Bernard (Innsbruck and Kufstein/Austria) - Istanbul’s İstiklal Caddesi Graffiti: Young Istanbul Sprayer Art Doing the Cat-Walk, and Testing Cultural Values
- The Ethnic and Images of (Cultural) Values
- Rubén Gregori (Valencia/Spain) - The Conversion of the Old Testament Patriarchs: The Image of Jewish Conversos in the Lands of the Crown of Aragon (14th–16th Centuries)
- Itzea Goicolea-Amiano (Florence/Italy) - Ambivalent Images of Otherness(es) in the War and the Spanish Occupation of Tetouan (1859–1862)
- Miloud Barkaoui (Annaba/Algeria) - The Case of Quartier Belsunce in Marseilles: of Maghrebi Immigration, Duality of Image, and Conflicting Cultural Values in France
- Images of (Cultural) Values in Literature
- Mirjana Marinkovic (Belgrade/Serbia) - Images of Cultural Values in the Novel A Strangeness in My Mind by Orhan Pamuk
- Neval Berber (Passau/Germany) - “Interesting to be Seen and Experienced”: Some Aspects of Modern Tourist Discourse in George Walter Thornbury’s Accounts on Turkey and the Turks
- Gönül Bakay (Istanbul/Turkey) - Representations of “the Primitive” in Things Fall Apart and Death and King’s Horseman
- Rear Matter
- The Editor
- Contributors
- Cover
- Title
- Copyright
- About the author(s)/editor(s)
- About the book
- This eBook can be cited
- Contents
- Introductory Section
- Veronika Bernard (Innsbruck and Kufstein/Austria) - The IMAGES Project
- Veronika Bernard (Innsbruck and Kufstein/Austria) - Introduction
- General Aspects
- Keti Shehu (Tirana/Albania)/Ambra Pittoni (Turin/Italy) - Responsibility and Economy of Images
- Images of (Cultural) Values in the Arts
- Sibel Almelek İşman (Izmir/Turkey) - The Vanitas: Moral Values in European Art
- Jutta Teuwsen (Düsseldorf/Germany) - Contemporary Japanese Arts: Religion and Technology in the Illustrations of Nature
- Cinla Şeker (Izmir/Turkey) - Anatolian Folk Music Album Cover Images at the Beginning of the Third Millenium
- Images of (Cultural) Values in Film
- Ömer Alkın (Düsseldorf/Germany) - Making Cultural Values Visible in Early Turkish-German Cinema
- Images of (Cultural) Values in Popular Culture
- Simonetta Milli Konewko (Milwaukee, USA) - Images of Work in Collodi’s Pinocchio
- Selma Mokrani Barkaoui (Annaba/Algeria) - “The Gift of the Stranger”: Elkader as a Cultural Utopia
- Roberta Matkovic (Pula/Croatia)/Tanja Habrle (Pula/Croatia) - The Figure of the Mother
- Images of (Cultural) Values in Public Space
- Nerma Cridge (London/UK) - From Trivial to Extremely Serious: We Don’t Even Own Public Space Images Anymore
- Adriana De Angelis (Naples/Italy) - Skyscrapers – Strong Images of Culture and Art; Globalized
- Veronika Bernard (Innsbruck and Kufstein/Austria) - Istanbul’s İstiklal Caddesi Graffiti: Young Istanbul Sprayer Art Doing the Cat-Walk, and Testing Cultural Values
- The Ethnic and Images of (Cultural) Values
- Rubén Gregori (Valencia/Spain) - The Conversion of the Old Testament Patriarchs: The Image of Jewish Conversos in the Lands of the Crown of Aragon (14th–16th Centuries)
- Itzea Goicolea-Amiano (Florence/Italy) - Ambivalent Images of Otherness(es) in the War and the Spanish Occupation of Tetouan (1859–1862)
- Miloud Barkaoui (Annaba/Algeria) - The Case of Quartier Belsunce in Marseilles: of Maghrebi Immigration, Duality of Image, and Conflicting Cultural Values in France
- Images of (Cultural) Values in Literature
- Mirjana Marinkovic (Belgrade/Serbia) - Images of Cultural Values in the Novel A Strangeness in My Mind by Orhan Pamuk
- Neval Berber (Passau/Germany) - “Interesting to be Seen and Experienced”: Some Aspects of Modern Tourist Discourse in George Walter Thornbury’s Accounts on Turkey and the Turks
- Gönül Bakay (Istanbul/Turkey) - Representations of “the Primitive” in Things Fall Apart and Death and King’s Horseman
- Rear Matter
- The Editor
- Contributors
Restricted access
This eBook can be cited
Chapter
- Subjects:
Prices
Chapter Price (Chapters only digitally available)
CHF** SFr.35.00EURD** €36.00EURA** €36.00EUR* €30.00GBP* £23.00USD* $42.00
Currency depends on your shipping address
Extract
This edition of the eBook can be cited. To enable this we have marked the start and end of a page. In cases where a word straddles a page break, the marker is placed inside the word at exactly the same position as in the physical book. This means that occasionally a word might be bifurcated by this marker.
You are not authenticated to view the full text of this chapter or article.
This site requires a subscription or purchase to access the full text of books or journals.
Do you have any questions? Contact us.
Or login to access all content.- Cover
- Title
- Copyright
- About the author(s)/editor(s)
- About the book
- This eBook can be cited
- Contents
- Introductory Section
- Veronika Bernard (Innsbruck and Kufstein/Austria) - The IMAGES Project
- Veronika Bernard (Innsbruck and Kufstein/Austria) - Introduction
- General Aspects
- Keti Shehu (Tirana/Albania)/Ambra Pittoni (Turin/Italy) - Responsibility and Economy of Images
- Images of (Cultural) Values in the Arts
- Sibel Almelek İşman (Izmir/Turkey) - The Vanitas: Moral Values in European Art
- Jutta Teuwsen (Düsseldorf/Germany) - Contemporary Japanese Arts: Religion and Technology in the Illustrations of Nature
- Cinla Şeker (Izmir/Turkey) - Anatolian Folk Music Album Cover Images at the Beginning of the Third Millenium
- Images of (Cultural) Values in Film
- Ömer Alkın (Düsseldorf/Germany) - Making Cultural Values Visible in Early Turkish-German Cinema
- Images of (Cultural) Values in Popular Culture
- Simonetta Milli Konewko (Milwaukee, USA) - Images of Work in Collodi’s Pinocchio
- Selma Mokrani Barkaoui (Annaba/Algeria) - “The Gift of the Stranger”: Elkader as a Cultural Utopia
- Roberta Matkovic (Pula/Croatia)/Tanja Habrle (Pula/Croatia) - The Figure of the Mother
- Images of (Cultural) Values in Public Space
- Nerma Cridge (London/UK) - From Trivial to Extremely Serious: We Don’t Even Own Public Space Images Anymore
- Adriana De Angelis (Naples/Italy) - Skyscrapers – Strong Images of Culture and Art; Globalized
- Veronika Bernard (Innsbruck and Kufstein/Austria) - Istanbul’s İstiklal Caddesi Graffiti: Young Istanbul Sprayer Art Doing the Cat-Walk, and Testing Cultural Values
- The Ethnic and Images of (Cultural) Values
- Rubén Gregori (Valencia/Spain) - The Conversion of the Old Testament Patriarchs: The Image of Jewish Conversos in the Lands of the Crown of Aragon (14th–16th Centuries)
- Itzea Goicolea-Amiano (Florence/Italy) - Ambivalent Images of Otherness(es) in the War and the Spanish Occupation of Tetouan (1859–1862)
- Miloud Barkaoui (Annaba/Algeria) - The Case of Quartier Belsunce in Marseilles: of Maghrebi Immigration, Duality of Image, and Conflicting Cultural Values in France
- Images of (Cultural) Values in Literature
- Mirjana Marinkovic (Belgrade/Serbia) - Images of Cultural Values in the Novel A Strangeness in My Mind by Orhan Pamuk
- Neval Berber (Passau/Germany) - “Interesting to be Seen and Experienced”: Some Aspects of Modern Tourist Discourse in George Walter Thornbury’s Accounts on Turkey and the Turks
- Gönül Bakay (Istanbul/Turkey) - Representations of “the Primitive” in Things Fall Apart and Death and King’s Horseman
- Rear Matter
- The Editor
- Contributors
- Cover
- Title
- Copyright
- About the author(s)/editor(s)
- About the book
- This eBook can be cited
- Contents
- Introductory Section
- Veronika Bernard (Innsbruck and Kufstein/Austria) - The IMAGES Project
- Veronika Bernard (Innsbruck and Kufstein/Austria) - Introduction
- General Aspects
- Keti Shehu (Tirana/Albania)/Ambra Pittoni (Turin/Italy) - Responsibility and Economy of Images
- Images of (Cultural) Values in the Arts
- Sibel Almelek İşman (Izmir/Turkey) - The Vanitas: Moral Values in European Art
- Jutta Teuwsen (Düsseldorf/Germany) - Contemporary Japanese Arts: Religion and Technology in the Illustrations of Nature
- Cinla Şeker (Izmir/Turkey) - Anatolian Folk Music Album Cover Images at the Beginning of the Third Millenium
- Images of (Cultural) Values in Film
- Ömer Alkın (Düsseldorf/Germany) - Making Cultural Values Visible in Early Turkish-German Cinema
- Images of (Cultural) Values in Popular Culture
- Simonetta Milli Konewko (Milwaukee, USA) - Images of Work in Collodi’s Pinocchio
- Selma Mokrani Barkaoui (Annaba/Algeria) - “The Gift of the Stranger”: Elkader as a Cultural Utopia
- Roberta Matkovic (Pula/Croatia)/Tanja Habrle (Pula/Croatia) - The Figure of the Mother
- Images of (Cultural) Values in Public Space
- Nerma Cridge (London/UK) - From Trivial to Extremely Serious: We Don’t Even Own Public Space Images Anymore
- Adriana De Angelis (Naples/Italy) - Skyscrapers – Strong Images of Culture and Art; Globalized
- Veronika Bernard (Innsbruck and Kufstein/Austria) - Istanbul’s İstiklal Caddesi Graffiti: Young Istanbul Sprayer Art Doing the Cat-Walk, and Testing Cultural Values
- The Ethnic and Images of (Cultural) Values
- Rubén Gregori (Valencia/Spain) - The Conversion of the Old Testament Patriarchs: The Image of Jewish Conversos in the Lands of the Crown of Aragon (14th–16th Centuries)
- Itzea Goicolea-Amiano (Florence/Italy) - Ambivalent Images of Otherness(es) in the War and the Spanish Occupation of Tetouan (1859–1862)
- Miloud Barkaoui (Annaba/Algeria) - The Case of Quartier Belsunce in Marseilles: of Maghrebi Immigration, Duality of Image, and Conflicting Cultural Values in France
- Images of (Cultural) Values in Literature
- Mirjana Marinkovic (Belgrade/Serbia) - Images of Cultural Values in the Novel A Strangeness in My Mind by Orhan Pamuk
- Neval Berber (Passau/Germany) - “Interesting to be Seen and Experienced”: Some Aspects of Modern Tourist Discourse in George Walter Thornbury’s Accounts on Turkey and the Turks
- Gönül Bakay (Istanbul/Turkey) - Representations of “the Primitive” in Things Fall Apart and Death and King’s Horseman
- Rear Matter
- The Editor
- Contributors