Show Less
Restricted access

Arturo Benedetti Michelangeli as I Knew Him

Series:

Lidia Kozubek

This book explores the artistic principles of Arturo Benedetti Michelangeli, his concert activities, his art of piano playing, as well as his pedagogy and his attitude towards his students. The author presents the biographical data of the artist as well as the list of his recordings and introduces this extraordinary artist to a wider audience, especially to admirers of beautiful music and its performers. The book aims at encouraging in particular the young to follow the high artistic principles required in such a refined and unique art.
Show Summary Details
Restricted access

Arturo Benedetti Michelangeli at Close Quarters

Extract



‘He is an unfriendly person. Cold, withdrawn, laconic — so much so that it drives others to distraction. He hates interviews and takes great pleasure in avoiding autograph hunters, journalists and press photographers poking their noses everywhere’. This is how an article by Candida and Giancarlo Scalfatti begins. (39)1 However, such assessments are characteristic only of those people with whom Michelangeli did not wish to maintain contact. His stiff and unapproachable manner was a protective shield serving to ward off the uninvited and unwelcome. And when he found himself in the company of people he did not know very well, he was reticent, and even gave the impression of not being present, though he heard and observed almost everything. The cause of such reserve lay hidden in unhappy experiences from the past, while Michelangeli’s aversion to the kind of wasting of time to which humdrum company could subject him also produced this sort of reaction. He regarded as lost every moment which he failed to devote to his music.

Michelangeli avoided both the aristocratic salons and grand official receptions or international banquets. Despite this, the rich and powerful, as well as crowned heads, accorded him their favour, and often their friendship, too. The Italian princesses, for instance, would arrange to visit the great pianist whenever they made a tour of the country. Other admirers were Queen Elizabeth of Belgium (with whom Michelangeli used to play as a young ← 12 | 13 → man), Pope John XXIII and Pope...

You are not authenticated to view the full text of this chapter or article.

This site requires a subscription or purchase to access the full text of books or journals.

Do you have any questions? Contact us.

Or login to access all content.