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Questioning Schenkerism

Bengt Edlund

During the past fifty years Schenkerian theory has been adopted as the main method for analysing tonal music. This book questions the value of Schenker’s «tonal analysis» for musical description and interpretation, and discusses its relations to «generative» theory and «implicational» analysis – taking into account its links with linguistic syntax and the perception of tonal closure. It is observed how auxiliary theoretical concepts transform the music so as to pave the way for preordained tonal structures. Alternative readings of the music examples are provided.
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Chapter 2: Disciplining reduction and tonalizing interpretation


← 78 | 79 → Chapter 2 Disciplining reduction and tonalizing interpretation

The sardines want the tin to be opened towards the sea.

(Werner Aspenström 1918–1997)


As the title suggests, this essay has two topics. The first is to study how analysis of tonal music was (and no doubt still is) disciplined into what we know as “tonal reduction” or Schenkerian analysis. The second is to take a fresh look at the relationship between reductive analysis and interpretation. In what ways can the former support the latter?

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