Poetry and the Kenotic Word
Edited By Malgorzata Grzegorzewska, Jean Ward and Mark Burrows
Eugenio Montale, “The Poor Nestorian at a Loss”
The Italian poet Eugenio Montale (1896–1981), who won the Nobel Prize for Literature in 1975, had a troubled relationship with the Absolute, a relationship that began in his youth about a century ago and ended only with his death. Montale expressed this through a continuous and unceasing dialogue in his poetry between the human “word” and the divine Word. As he suggests in writings over the span of his life, he was conscious of what he viewed as an unbridgeable distance between the “relative” and the “absolute”, not only in a philosophical or theological sense but also in the artistic context of the poetic and “meta-poetic”. He voices this early in his vocation as a poet in the way he approaches the “aporia” of the (human) word. In one of his most memorable short poems “Non chiederci la parola” [“Don’t ask us for the word to square…”], he writes:
Don’t ask us for the word to square our shapeless spirit on all sides, and proclaim it in letters of fire, to shine like a lost crocus in a dusty field. … This, today, is all we can tell you: what we are not, what we do not want. (Galassi 39)
Non chiederci la parola che squadri da ogni lato l’animo nostro informe, e a lettere di fuoco lo dichiari e risplenda come un croco perduto in mezzo a un polveroso prato. … Codesto solo oggi possiamo dirti, ciò che non siamo, ciò che non vogliamo....
You are not authenticated to view the full text of this chapter or article.
This site requires a subscription or purchase to access the full text of books or journals.
Do you have any questions? Contact us.Or login to access all content.