Travelling in Time and Space in Literature in English
Edited By Liliana Sikorska
Self-fashioning as an identity-shaping process in Marina Warner’s Indigo and William Shakespeare’s The tempest: Katarzyna Burzynska, Adam Mickiewicz University, Poznan
Katarzyna Burzyńska, Adam Mickiewicz University, Poznań
Marina Warner’s novel Indigo or mapping the waters is one of the most critically-acclaimed responses to Shakespeare’s The tempest. So far the re-visions of the canonical Shakespearean text have predominantly focused on the character of Caliban and his turbulent relationship with Prospero. Marina Warner’s novel, however, brings a radical change as it mainly revolves around the female characters of Sycorax, Ariel and Miranda. The aim of this paper is to focus on these female figures, who are marginalised in Shakespeare’s play but who emerge as fully-fledged characters in the novel. In order to analyse the ways in which Warner shapes the identities of her heroines I would like to refer to the classic concept of self-fashioning, as proposed by Stephen Greenblatt in his Renaissance self-fashioning – From More to Shakespeare. Although Greenblatt’s theory underscores the culture-bound mechanisms behind the shaping of social and literary identities in the English Renaissance, it might also prove an effective methodological framework in the analysis of Warner’s heroines (Greenblatt 1980: 6-7). This paper will be an attempt to look at the ways in which Warner’s female characters define themselves against “the alien” in the form of brutal colonisation or its remnants in the twentieth century.
Indigo or, mapping the waters1 by Marina Warner is a multi-faceted, multilayered and multi-directional novelistic tour de force, taking up pending issues crucial for literary, historical and cultural studies. By rewriting a canonical Shakespearean text, the novel...
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