Zur Reflexion des Gefühls im Musikdenken - Emotion as reflected in musical thinking
What does it mean when Carl Philipp Emanuel Bach demands that a performing musician must himself be moved before he can move his listeners? The author writes about the idea of emotions and their role in the scenario of what is called music appreciation (from about 1750 till the present day). His focus is not primarily on the emotional content of music as such, but rather the way in which it is treated in thinking about music; not on the actual impact of emotions, but the way in which they have been thought about in a musical context, as concepts around which a theoretical discourse crystallizes.
Autorenangaben / About the Author
Joachim Noller ist Musik- und Kulturwissenschaftler. Seine Forschungsschwerpunkte liegen auf experimentellem Musiktheater, der Aufarbeitung kultureller Errungenschaften des Novecento sowie philosophischen und ästhetischen Themen.
Joachim Noller is a musicologist and cultural studies scholar. His main research interests are experimental music theatre and the cultural achievements of the Novecento as well as philosophical and aesthetic issues.
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