Contents: Małgorzata Radkiewicz: Searching for a Way of Expression: Analysis of Selected Films by Jane Campion, Sally Potter,
and Ulrike Ottinger – Ewa Mazierska-Kerr: Power, Freedom, and Gender in the Films of Atom Egoyan – James I. Deutsch: As the
World Ends: Traditional Gender Roles in Apocalyptic Science-Fiction Films of the Late 1990s – John R. Leo: Revisiting the
«Family of Man»: Representing Gay Men on American Television Melodrama in the 1980s – Wiesław Godzic: Sex, Power, and Pleasure:
The Phenomenon of Soap Opera – Andrzej Pitrus: Feminist Perspectives on Advertising: Content Analyses – Alison Butler: Under
the Skin: Feminism, Realism and British Cinema – László Sári: The Intersection of Race, Class, and Sexuality in Stephen
Frears’s My Beautiful Laundrette; or Whose Dirty Laundry is it? – Elżbieta H. Oleksy: «A sparrow with a broken wing...
and a shot of vodka»: Constructions of Femininity in Post-War Polish Visual Culture – Elżbieta Ostrowska: Otherness Doubled:
Representations of Jewish Women in Polish Cinema – Iwona Kurz: Sexuality on Trial: The Case of Kalina Jędrusik – Michael
Stevenson: «I Don’t Feel Like Talking to You Anymore»: Gender Uncertainties in Polish Film Since 1989. An Analysis of Psy
(W. Pasikowski 1992) – Ekaterina N. Shapinskaya: Social Construction of Gender Roles in Soviet Film – Almira Ousmanova: Fe/Male
Gaze, Subjectivity, and Ideology in Classic Soviet Cinema – Iwona Kolasińska: The Third Sex: Cinema and Transsexuality – Agnieszka
Ćwikiel: Female Cyborg: Some Troubles with Gender – Krzysztof Loska: The Birth of the Electronic Body and the Pursuit of Subjectivity
– Piotr Sitarski: Can I Be Plural in Muds?: Reflections on Characters in Multi-User Dungeons.