Frankfurter öffentlich-rechtliche Studien

This series focuses on the life and work of the internationally celebrated
German writer Lion Feuchtwanger (1884-1958). Of particular interest are
topics such as Feuchtwanger's role as a critic of Weimar Germany and
the rise of Nazism, his years of exile in France (1933-40) and in the USA
(1940-58), his achievements as a proponent of the historical novel, and
his reception both in post-war Germany and in the wider world. Besides
offering fresh analyses of major novels such as Jud Süß, Erfolg, and Goya
and the often controversial films which some of them inspired, the series
presents Feuchtwanger in the context of his times, paying special attention
to his years in Southern California and his relationships with other
leading cultural figures of the era such as Bertolt Brecht, Charles Chaplin,
Thomas Mann, and Arnold Zweig. Volumes in the series include selections
of refereed papers from the biennial conferences of the International
Feuchtwanger Society as well as specially commissioned monographs.

This series focuses on the life and work of the internationally celebrated
German writer Lion Feuchtwanger (1884-1958). Of particular interest are
topics such as Feuchtwanger's role as a critic of Weimar Germany and
the rise of Nazism, his years of exile in France (1933-40) and in the USA
(1940-58), his achievements as a proponent of the historical novel, and
his reception both in post-war Germany and in the wider world. Besides
offering fresh analyses of major novels such as Jud Süß, Erfolg, and Goya
and the often controversial films which some of them inspired, the series
presents Feuchtwanger in the context of his times, paying special attention
to his years in Southern California and his relationships with other
leading cultural figures of the era such as Bertolt Brecht, Charles Chaplin,
Thomas Mann, and Arnold Zweig. Volumes in the series include selections
of refereed papers from the biennial conferences of the International
Feuchtwanger Society as well as specially commissioned monographs.

This series focuses on the life and work of the internationally celebrated
German writer Lion Feuchtwanger (1884-1958). Of particular interest are
topics such as Feuchtwanger's role as a critic of Weimar Germany and
the rise of Nazism, his years of exile in France (1933-40) and in the USA
(1940-58), his achievements as a proponent of the historical novel, and
his reception both in post-war Germany and in the wider world. Besides
offering fresh analyses of major novels such as Jud Süß, Erfolg, and Goya
and the often controversial films which some of them inspired, the series
presents Feuchtwanger in the context of his times, paying special attention
to his years in Southern California and his relationships with other
leading cultural figures of the era such as Bertolt Brecht, Charles Chaplin,
Thomas Mann, and Arnold Zweig. Volumes in the series include selections
of refereed papers from the biennial conferences of the International
Feuchtwanger Society as well as specially commissioned monographs.