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Phenomenology and Literature

Editors: Hans H. Rudnick
ISSN: 1524-0193

The focus of this series is on studies using the tenets of phenomenology and its various (dogmatic and skeptical) evolutions to elucidate and interpret primarily literary works of art in the contexts of aesthetics, ontology, epistemology, axiology, hermeneutics, communication, reader response, reception, cultural and social theory. Studies of a comparative nature which straddle and/or combine the disciplines of philosophical and literary studies are distinctive features of this monograph series. Emphasis is on subjects that may advance the state of the art, set trends, generate and continue discussion, expand horizons beyond present perspectives, and/or redefine previously held notions. Approaches may center on individual works, authors, schools of phenomelogical thought, and/or abstract notions, including issues of a comparative nature spanning the cultures, languages, and literatures of several nations from the perspectives of world literature and philosophy.

The focus of this series is on studies using the tenets of phenomenology and its various (dogmatic and skeptical) evolutions to elucidate and interpret primarily literary works of art in the contexts of aesthetics, ontology, epistemology, axiology, hermeneutics, communication, reader response, reception, cultural and social theory. Studies of a comparative nature which straddle and/or combine the disciplines of philosophical and literary studies are distinctive features of this monograph series. Emphasis is on subjects that may advance the state of the art, set trends, generate and continue discussion, expand horizons beyond present perspectives, and/or redefine previously held notions. Approaches may center on individual works, authors, schools of phenomelogical thought, and/or abstract notions, including issues of a comparative nature spanning the cultures, languages, and literatures of several nations from the perspectives of world literature and philosophy.

The focus of this series is on studies using the tenets of phenomenology and its various (dogmatic and skeptical) evolutions to elucidate and interpret primarily literary works of art in the contexts of aesthetics, ontology, epistemology, axiology, hermeneutics, communication, reader response, reception, cultural and social theory. Studies of a comparative nature which straddle and/or combine the disciplines of philosophical and literary studies are distinctive features of this monograph series. Emphasis is on subjects that may advance the state of the art, set trends, generate and continue discussion, expand horizons beyond present perspectives, and/or redefine previously held notions. Approaches may center on individual works, authors, schools of phenomelogical thought, and/or abstract notions, including issues of a comparative nature spanning the cultures, languages, and literatures of several nations from the perspectives of world literature and philosophy.

Titles

  • Title: Paul Ricoeur on Hope

    Paul Ricoeur on Hope

    Expecting the Good
    Volume 6
    by Rebecca K. Huskey (Author)
    ©2009 Monographs 216 Pages
  • Title: Detours in Philosophy

    Detours in Philosophy

    Controversies in the Continental Tradition
    Volume 4
    by William Vaughan (Author) 2007
    Monographs 366 Pages
  • Title: Primitive Disclosive Alethism

    Primitive Disclosive Alethism

    Davidson, Heidegger, and the Nature of Truth
    Volume 3
    by Timothy J. Nulty (Author)
    ©2006 Monographs 202 Pages
  • Title: Heidegger on Truth and Myth

    Heidegger on Truth and Myth

    A Rejection of Postmodernism
    Volume 2
    by Haim Gordon (Author) Rivca Gordon (Author)
    ©2006 Monographs 141 Pages