This book examines the authority and power of a «sermonic text» through its ﬁctive qualities. The author argues that a sermonic text functions in the manner of a work of ﬁction and creates an event and space that forces a decision upon the reader. The text creates a place where the Kingdom of God is about to happen and is happening. Consequently, the reader is forced to make a decision. Will he or she «go and do likewise», or reject the Kingdom of God? In this way, a sermonic text acts like a work of ﬁction and invites a reader into its space and event. If the reader of the sermonic text chooses temporally to enter the event of the text, the reader has the potential to participate in its dynamics and is forced to make a decision either to believe or not believe. Like a work of ﬁction, it does not require those external guarantees of authority that are found in the community of faith: its doctrines, creeds and ecclesiology. Rather, the authority of the sermonic text is intrinsic as in a work of fiction and stands on its own. The discussion is interdisciplinary, drawing upon literary theory, cultural theory and theology.
Oxford, Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Wien, 2007. 212 pp.
Contents: Augustine, Rhetoric and the Sermon – The First Chapter of the Gospel of Mark – The Acts of the Apostles and the
Sermon of Saint Stephen – John Chrysostom: ‘Homily Delivered after the Remains of Martyrs’ – Meister Eckhart: ‘Intravit Iesus
in castellum, et mulier quaedam, Martha nomine, excepit illum’ – Martin Luther’s Sermon on the Tenth Sunday after Trinity
– Joseph Butler: ‘Upon the Ignorance of Man’ – Charles Haddon Spurgeon: ‘The New Year’s Guest’ – Laurence Sterne: ‘The Levite
and His Concubine’ and ‘The Abuse of Conscience’ – Herman Melville: Father Mapple’s Sermon in Moby-Dick – John Updike:
A Month of Sundays.