The author links Chaucer’s writings with the medieval optical tradition in its various forms (scholastic texts, encyclopedias, exempla, vernacular poetry) both in general cultural terms and through the discussion of specific examples. He shows how the science of optics, or
perspectiva, provides an account of spatial perception, including visual error, and demonstrates how these aspects of optical theory impact on Chaucer’s poetry. He provides detailed and sustained analysis of the spatial content of narratives across the range of Chaucer’s works, relating them to optical ideas and making use of Lefebvre’s theory of the production of space. The texts discussed include the
Book of the Duchess,
House of Fame, Knight’s Tale, Miller’s Tale, Reeve’s Tale, Merchant’s Tale, Squire’s Tale and
Troilus and Criseyde.
Oxford, Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Wien, 2007. 377 pp., 6 ill.
Contents: Prospect – The Making of Optical Space – Encyclopedias and Sermons – Chaucer and Perspectiva – Literary Models
– The Mind’s Eye: The Book of the Duchess – Chivalric Space: The Knight’s Tale – Urban Space: The Miller’s Tale – Trojan
Space: Troilus and Criseyde (Part I) – The ‘covered quality of things’: Troilus (Part 2) – Retrospect.