By the mid-twentieth century the various Australian states began changing their approaches to Aboriginal peoples from one of exclusion to assimilation. These policy changes meant that Aboriginal people, particularly those identified as being of mixed heritage, were to be encouraged to become part of the dominant non-Aboriginal community – the Australian nation.
This book explores this significant policy change from a cultural perspective, considering the ways in which assimilation was imagined in literary fiction of the 1950s and 1960s. Drawing on novels from a range of genres – the Gothic, historical romance, the western and family melodrama – it analyses how these texts tell their assimilation stories.
Taking insights from critical whiteness studies the author highlights both the pleasures and anxieties that the idea of Aboriginal assimilation raised in the non-Aboriginal community. There are elements of these assimilation stories – maternal love, stolen children, violence and land ownership – that still have an impact in the unsettled present of many post-colonial nations. By exploring the history of assimilation the author suggests ideas for a different future.
Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Oxford, Wien, 2009. 257 pp., 3 coloured ill.
Contents: Writing a story of mixed-race relations in ‘white Australia’ – Mapping a ‘white Australia’: political and government
responses to the ‘half-caste’ problem – Blood: elimination, assimilation and the white Australian nation in E. V. Timms’ The
Scarlet Frontier – Making families white: Indigenous mothers, families and children in Gwen Meredith’s Blue Hills:
the Ternna-Boolla Story – Haunted homes: children, desire and dispossession in Helen Heney’s The Leaping Blaze
– Scopic pleasure and fantasy: visualizing assimilation and the half-caste in Leonard Mann’s Venus Half-Caste – Dead
centre: frontier relations in Olaf Ruhen’s Naked Under Capricorn.