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The Pictorialization of Dürer’s Drawings in Northern Europe in the Sixteenth and Seventeenth Centuries


Kayo Hirakawa

Contents: The Ober St. Veit Altarpiece and the Five Chiaroscuro Drawings – The Madonna in the Hall and the Epitaph of Lorenz Tucher: Dürer’s Model Drawings – The Great Calvary and its Copies by the Leyden School – Rudolf II and his Enthusiasm for the Art of Albrecht Dürer – The Imaginary Competition between Dürer and Jan Brueghel the Elder.