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Defining Modernism

Baudelaire and Nietzsche on Romanticism, Modernity, Decadence, and Wagner

by Andrea Gogröf-Voorhees (Author) Andrea Gogröf-Voorhees (Author)
©2004 Monographs X, 204 Pages

Summary

Defining Modernism investigates the intellectual connections among three leading nineteenth-century European modernists – Baudelaire, Nietzsche, and Richard Wagner. Through a close reading of Baudelaire’s and Nietzsche’s essays on art and culture, Wagner’s role in the two writers’ attempts to define the radically new concept of «modernism» is elucidated. Gogröf-Voorhees explores the affinity between the two writers, which emerges from a juxtaposition of their formulations of the idea of a fractured, contradictory modernity that at once embraces, scatters, and reevaluates an entire constellation of ideas, including romanticism, pessimism, decadence, and nihilism.

Details

Pages
X, 204
Year
2004
ISBN (Hardcover)
9780820437934
Language
English
Keywords
Richard Wagner Nietzsche Wagner Baudelaire
Published
New York, Bern, Berlin, Bruxelles, Frankfurt/M., Oxford, Wien, 1999, 2004. X, 204 pp.

Biographical notes

Andrea Gogröf-Voorhees (Author) Andrea Gogröf-Voorhees (Author)

The Author: Andrea Gogröf-Voorhees is Assistant Professor of Liberal Studies at Western Washington University. She holds a doctorate in comparative literature from the University of Washington. Her main areas of interest are nineteenth-century French and German literature, literary theory, and philosophy.

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Title: Defining Modernism