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Contemporary African American Cinema

by Sheril D. Antonio (Author)
©2002 Textbook X, 140 Pages
Series: Framing Film, Volume 4

Summary

For the past century African American cinema has primarily been an independent phenomenon. However, recent and consistent inclusion in the mainstream film industry of Hollywood suggests a significant change in its status. Despite a tendency to posit the «genre» as «other» it is not a separate cinema. Contemporary African American cinema contextualizes its forms and themes within the American film tradition. With crossover success and critical acclaim, it became clear by 1991 that profit would be a motive for expansion, and that these films had established profound connections not only with Black audiences and agendas but within a diverse mainstream audience as well. Contemporary African American cinema continues to sustain itself while informing, mediating, challenging, and entertaining American audiences.

Details

Pages
X, 140
Year
2002
ISBN (Softcover)
9780820455174
Language
English
Keywords
status film audience
Published
New York, Bern, Berlin, Bruxelles, Frankfurt/M., Oxford, Wien, 2002. X, 140 pp.

Biographical notes

Sheril D. Antonio (Author)

The Author: Sheril D. Antonio is Associate Dean for Film, Television, and New Media at New York University’s Tisch School of the Arts. She received her Ph.D. in cinema studies from New York University. Dr. Antonio is also a lecturer and teacher of film criticism and theory.

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Title: Contemporary African American Cinema