This book surveys the major theological writings of Hans Urs von Balthasar from the perspective of the relationship between finite and infinite freedom. The first part examines Balthasar's early treatment of the question in the context of the analogy of being. The second part concentrates on his more mature work, the Theological Dramatics, with its understanding of the relationship between finite and infinite freedom in terms of a 'dramatic encounter' in which, controversially, human freedom is thought to actively participate in an ever-greater exchange of love in God. But this book is more than a survey. Observing the persistence of the 'analogy of proportionality' within the Dramatics leads the author in the third part to a critique of Balthasar's thought. It is argued that the continuation of the earlier perspective explains Balthasar's emphasis on the freedom of the individual to the neglect of social structures and their transformation. While the 'historical' as such is not neglected, as some claim it is, the focus is on the history of the individual and his or her relationship with God. It is therefore contended that Balthasar's theology of the Trinity is more concerned with 'interpersonal' relationships than truly 'social' ones and that this is what inhibits a fruitful dialogue with social theologies.
Bern, Berlin, Bruxelles, Frankfurt/M., New York, Wien, 1997, 2000. 316 pp.
Contents: Topics covered: Intersubjectivity - The Dispute with Rahner - Freedom in the Context of Interpersonal Relationship
with and in God - The Early Balthasar: Freedom in the Context of the Analogy of Being - Balthasar's View of Karl Barth's Theological
Analogy - Freedom in Balthasar's Theology of Beauty - The Later Balthasar: Balthasar's Dramatic Theory - The Economy of Salvation
as God's Drama performed for the Benefit of Human Freedom - Trinitarian Freedom: the Original Drama of the Immanent Trinity
- Contrast with Hegel, Moltmann and Rahner - The Encounter of Divine and Human Freedom in Balthasar's Theodramatic Eschatology
- Beatific Vision or Dramatic Mutual Encounter? - Freedom and Mission - The Possibility of a Dialogue with Social Theology
- Balthasar's View of Liberation Theology and the Theology of Hope - A Lack of Social Drama in Balthasar's Dramatics - A Neglect
of History? - A Certain Emphasis on the Freedom of the Individual Subject - The Preservation of the Analogy of Proportionality
in the Dramatics - A 'Christological Restriction' in Balthasar.