Bern, Berlin, Bruxelles, Frankfurt/M., New York, Oxford, Wien, 2002. 187 pp., 1 ill., num. fig.
Contents: Expressive performance – Affective response to music – The interdependency of affect and cognition in musical experiences
– Respiration as a model for music rhythm – Kinesthesis – Musical rhetoric – Mimesis and formalism in musical aesthetics –
Tonal attractions – Accentuation and expressive timing.