Culture(s) and Authenticity

Table Of Contents

• Cover
• Title
• Copyright
• About the editors
• About the book
• This eBook can be cited
• Contents
• Foreword
• Translation across Cultures: Domesticating/Foreignizing Cultural Transplantation (Eriko Sato)
• Imitation, Representation… or the Master Discourse of Translation (Said Faiq)
• The Untranslatable Ethnic: Always an Outsider? A Brief Review of Ukrainian-to- English Literary Translation Practices (Lada Kolomiyets)
• Authenticity Reexamined: Muriel Spark’s The Public Image (Wojciech Kozak)
• White-to- Black: Racechange and Authenticity, from John Howard Griffin to Rachel Dolezal (Piotr Skurowski)
• Inversion, Conversion, and Reversion in Ellen Glasgow’s The Deliverance (Jerzy Sobieraj)
• But Who Does Live? Postcolonial Identities, Authenticity, and Artificial Intelligence in Darryl A. Smith’s “The Pretended” (Agnieszka Podruczna)
• Editorial Revision and Recovery: Authenticity and Imitation in John Clare’s Early Poetry (Jacek Wiśniewski)
• The Birth of the Poet: The Role of S. T. Coleridge in the Making of “William Wordsworth” (Eliza Borkowska)
• Identity Blurred: The Use of Interlinear Trots for Translations of Poetry in the Soviet Union (Natalia Kamovnikova)
• Imitation and Creativity: Ernst Jandl’s Writing in Translation and Completion (Hanna C. Rückl)
• The Birth of the Editor: On Authenticity in Raymond Carver’s Writing and Editing (Joanna Gładyga)
• A Non-Existent Source, A Successful Translation: Nihal Yeğinobalı’s Genç Kızlar (Nafize Sibel Güzel / Abdullah Küçük)
• Language Personality: Problems and Opportunities in Translation (Based on the Characters from the Tragedy Faust by Johann Wolfgang von Goethe and its Ukrainian and Anglophone Translations) (Yulia Nanyak)
• Representations of Identity in Italian Translations of Seamus Heaney: Rewriting Poetry “True to Life” (Debora Biancheri)
• “The Future’s Bright, the Future’s Orange!” On the Translation of the Colour Orange into Irish (Mark Ó Fionnáin)
• Contributors’ Notes
• Series index